"Symbole: II. Rose" by Carl Rütti had its release date on 1998. The duration of This song is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Symbole: II. Rose's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 18 in Carl Rütti: Plays His Own Piano Music by Carl Rütti. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Symbole: II. Rose is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Symbole: II. Rose by Carl Rütti is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mass for Double Choir: V. Agnus dei | Frank Martin, Westminster Choir, Joe Miller | D Major | 1 | 10B | 83 BPM | ||
| When to the Temple Mary Went | Johannes Eccard, Christ Church Cathedral Choir, Stephen Farr, Stephen Darlington | D Minor | 0 | 7A | 78 BPM | ||
| Dowland-Suite: Introduction | Carl Rütti, B-Five Recorder Consort | A♭ Minor | 0 | 1A | 107 BPM | ||
| Magi viderunt stellam | Amici Cantores | G Minor | 1 | 6A | 97 BPM | ||
| The Trisagion Hymn | Alexander Pierce Hill, Apollo5 | D♭ Major | 1 | 3B | 86 BPM | ||
| All-night Vigil, Op. 37: No. 8, Praise the Name of the Lord | Sergei Rachmaninoff, Latvijas Radio koris, Sigvards Kļava | A♭ Major | 1 | 4B | 89 BPM | ||
| Statio quadruplex pro Processione Theophorica, ZWV158: Misericordia tua, Domine | Jan Dismas Zelenka, Adam Viktora, Ensemble Inégal | A Major | 3 | 11B | 108 BPM | ||
| All-night Vigil, Op. 37: No. 11, My Soul Magnifies the Lord | Sergei Rachmaninoff, Latvijas Radio koris, Sigvards Kļava | D Major | 0 | 10B | 132 BPM | ||
| Tallis: O Lord, in Thee Is All My Trust | The Tallis Scholars, Peter Phillips | C Major | 1 | 8B | 75 BPM | ||
| Echoes of the Lost World | Darius Lim, Voices of Singapore Children’s Choir, Gabriel Hoe, Richard Ter, Kangren Chen, Julian Li | A Minor | 2 | 8A | 71 BPM | ||
| Acclamatio | Damijan Močnik, Westminster Williamson Voices, James Jordan | G Major | 2 | 9B | 82 BPM | ||
| Christus factus est, WAB 11 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | D Minor | 1 | 7A | 83 BPM | ||
| Holy Spirit Mass: Fount of Life: Mercy | Kim André Arnesen, Mona Spigseth, Trondheim Vokalensemble, TrondheimSolistene, Sofi Jeannin | A Minor | 1 | 8A | 86 BPM | ||
| Ave Maria, FWV 62 | César Franck, Ensemble Vocal de Lausanne, Michel Corboz | E Major | 1 | 12B | 83 BPM | ||
| Ich liege und schlafe | Athesinus Consort Berlin, Klaus-Martin Bresgott | A Major | 0 | 11B | 77 BPM | ||
| Look Down, O Lord | Jonathan Seers, The Gesualdo Six, Owain Park | A♭ Minor | 1 | 1A | 86 BPM | ||
| O Send Out Thy Light | Owain Park, The Gesualdo Six | F♯ Major | 1 | 2B | 80 BPM | ||
| Otcenáš (Our Father), JW IV/29: Bud vule tvá (Thy will be done) (Revised 1906) | Leoš Janáček, Edward Gardner, Bergen Philharmonic Orchestra, Stuart Skelton, Johannes Wik, Karstein Askeland, Gábor Bretz, Thomas Trotter, Bergen Philharmonic Choir | F Major | 1 | 7B | 80 BPM | ||
| Sermon on the Mount: VII. Amen | Carl Rütti, Christopher Duarte | G Major | 2 | 9B | 95 BPM | ||
| The Strife Is O’er | Basilica of the National Shrine of the Immaculate Conception Choir | D Major | 2 | 10B | 83 BPM | ||
| Can We Sing the Darkness to Light? | Kyle Pederson, Transept, Timothy J. Campbell, Paul Sánchez, Doosook Kim, Robert Erhardt | D♭ Major | 1 | 3B | 80 BPM | ||
| Quatre Motets sur des thèmes grégoriens pour choeur a cappella, Op.10: I. Ubi caritas | Maurice Duruflé, Mauruce Duruflé, Houston Chamber Choir, Robert Simpson | E♭ Major | 1 | 5B | 88 BPM | ||
| Hallelujah Chorus (Christ On The Mount Of Olives) Op. 85 | Christelijk Mannenkoor Soli Deo Gloria Urk, Jaap Kramer | C Major | 2 | 8B | 80 BPM | ||
| Nolo mortem peccatoris | Thomas Morley, Stile Antico | F Minor | 1 | 4A | 79 BPM | ||
| Stundenbuch: IVd. Ecce homo "Schmerz versteinerte die Schwelle" | Carl Rütti | E Minor | 0 | 9A | 64 BPM |