The Minnesota Opera Company, Ricky Ian Gordon, Michael Korie's 'Gone / Not My Fault' had a release date set for August 26, 2008. This song is about six minutes long, preciously at 5:40, making this song fairly long compared to other songs. There are a total of 49 in the song's album "The Grapes of Wrath (World Premiere Recording)". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. Based on our statistics, Gone / Not My Fault's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Gone / Not My Fault by The Minnesota Opera Company, Ricky Ian Gordon, Michael Korie having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Suor Angelica: Suor Angelica! Madre, Madre, parlate! | Giacomo Puccini, Anne Collins, Dame Joan Sutherland, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | D Major | 4 | 10B | 80 BPM | ||
| Carmen / Act 1: "La cloche a sonné" | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan, Choeur de l'Opéra de Paris | G Major | 1 | 9B | 98 BPM | ||
| Pelléas et Mélisande, CD 93, Act I: Hoé! Hisse hoé! | Claude Debussy, Francois Le Roux, Maria Ewing, Christa Ludwig, Wiener Staatsopernchor, Helmut Froschauer, Wiener Philharmoniker, Claudio Abbado | C Major | 4 | 8B | 49 BPM | ||
| Salome, Op. 54 / Scene 4: "Ah! Herrlich! Wundervoll, wundervoll!" | Richard Strauss, Leonie Rysanek, Cheryl Studer, Horst Hiestermann, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | E♭ Major | 1 | 5B | 71 BPM | ||
| Puccini: Tosca, Act 2: "Nel pozzo... nel giardino" (Scarpia, Sciarrone, Tosca, Cavaradossi) | Giacomo Puccini, Maria Callas, Dario Caselli, Giuseppe Di Stefano, Tito Gobbi, Victor de Sabata, Orchestra Del Teatro Alla Scala, Milano | C Major | 2 | 8B | 111 BPM | ||
| Carmen / Act 1: "Monsieur le brigadier?" / Duo:"Parle-moi de ma mère!" | Georges Bizet, Katia Ricciarelli, José Carreras, Jean Barney, Danièle Ajoret, Berliner Philharmoniker, Herbert von Karajan | C Minor | 0 | 5A | 81 BPM | ||
| Cendrillon: Faites-vous très belles | Jules Massenet, Philharmonia Orchestra, Julius Rudel | B♭ Major | 1 | 6B | 115 BPM | ||
| Emily — No Prisoner Be: No. 10, I reason, Earth is short | Kevin Puts, Time For Three, Joyce DiDonato | A Minor | 1 | 8A | 113 BPM | ||
| Bellini: I puritani: "All’erta!" (Bruno, Coro) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| The Dream of Gerontius, Op. 38, Part II: No. 3, My work is done (Angel) | Edward Elgar, Edward Gardner, London Philharmonic Orchestra, Jamie Barton | D Major | 2 | 10B | 86 BPM | ||
| Cavalleria rusticana: Part II: A casa, a casa (Men, Women, Turiddu, Lola) | Pietro Mascagni, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Anna Maria Canali, Ebe Ticozzi, Vittore Veneziani, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | E♭ Major | 2 | 5B | 108 BPM | ||
| Verdi: Macbeth, Act 1: S'allontanarono! (Streghe) | Giuseppe Verdi, Ambrosian Opera Chorus/John McCarthy/New Philharmonia Orchestra/Riccardo Muti, Riccardo Muti, New Philharmonia Orchestra | D Major | 3 | 10B | 128 BPM | ||
| Simon Boccanegra, Prologue: Che dicesti? | Giuseppe Verdi, José van Dam, Giovanni Foiani, Piero Cappuccilli, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | D Major | 1 | 10B | 93 BPM | ||
| La Gioconda / Act 1: Feste! Pane! Feste! | Amilcare Ponchielli, Sherrill Milnes, The London Opera Chorus, National Philharmonic Orchestra, Bruno Bartoletti | B♭ Major | 4 | 6B | 67 BPM | ||
| La Boheme: Acto III: "Donde Lieta Usce" | Victoria de los Ángeles | D♭ Major | 1 | 3B | 98 BPM | ||
| Puccini: Turandot, Act 2: "Olà, Pang! Olà, Pong!" (Ping, Pong, Pang) | Giacomo Puccini, Antonio Pappano, Gregory Bonfatti, Mattia Olivieri, Siyabonga Maqungo, Orchestra dell'Accademia Nazionale di Santa Cecilia | B♭ Major | 1 | 6B | 79 BPM | ||
| Le nozze di Figaro, K.492 / Act 4: "Giunse alfin il momento" | Wolfgang Amadeus Mozart, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | C Major | 0 | 8B | 108 BPM | ||
| Falstaff / Act I: Ma è tempo d'assottigliar l'ingegno | Giuseppe Verdi, Bryn Terfel, Anthony Mee, Anatolij Kotscherga, Berliner Philharmoniker, Claudio Abbado | C Major | 3 | 8B | 68 BPM | ||
| La Damnation de Faust, Op. 24, H 111 / Pt. 1: Scène 1. "Le vieil hiver a fait place au printemps" | Hector Berlioz, Kenneth Riegel, Chicago Symphony Orchestra, Sir Georg Solti | G Major | 1 | 9B | 75 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 2 "Der kleine Sandmann bin ich" [The Sandman] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | D Major | 0 | 10B | 132 BPM | ||
| Donizetti: L'elisir d'amore, Act 2: "Cantiamo, facciam brindisi" (Belcore, Dulcamara, Giannetta, Adina, Coro) | Gaetano Donizetti, Marcello Viotti, Bruno Praticò, Francesca Provvisionato, Mariella Devia, Pietro Spagnoli, Tallis Chamber Choir, English Chamber Orchestra | B♭ Major | 1 | 6B | 83 BPM | ||
| Rossini: Petite messe solennelle, Part 2: Credo - XIV. Agnus Dei (Contralto, Chorus) | Gioachino Rossini, Antonio Pappano, Sara Mingardo, Orchestra dell'Accademia Nazionale di Santa Cecilia | A Minor | 0 | 8A | 76 BPM | ||
| Mahler: Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde | Gustav Mahler, Klaus Tennstedt, Klaus König, London Philharmonic Orchestra | F Major | 1 | 7B | 73 BPM | ||
| Romberg: The Student Prince, Act 1: Drinking Song. "Drink to Eyes That Are Bright as Stars" (Karl Franz, Chorus) | José Carreras | B♭ Major | 3 | 6B | 95 BPM | ||
| Gounod: Faust, Act 2: Invocation. "Avant de quitter ces lieux" (Valentin) | Charles Gounod, Michel Plasson, Thomas Hampson, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM |