On September 25, 2016, the song "Manjal Mukam" was released by Sasi Kumar. With this song being around four minutes long, at 4:02, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 9 in the song's album "Nedungkali". In this album, this song's track order is #8. Furthermore, we believe that the track originated from India. Based on our statistics, Manjal Mukam's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Manjal Mukam by Sasi Kumar having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kalam Karthikamasam | Kalaratnam Jayan | B Minor | 10 | 10A | 119 BPM | ||
| Dattatreya Atreya Putra | Sri Ganapathy Sachchidananda Swamiji | E♭ Minor | 6 | 2A | 198 BPM | ||
| Lal Lal Hothwa Se | Deepali Sahay | F♯ Major | 9 | 2B | 117 BPM | ||
| Santan Ke Sang Laag Re | Madan Gopal | B♭ Major | 6 | 6B | 88 BPM | ||
| Nati Amago Bari Jaio | Gostho Gopal Das | F Major | 5 | 7B | 112 BPM | ||
| Thamizhan Da (From "Nanbargal") | Koushik Venkat, Sasi Kumar | A Major | 6 | 11B | 93 BPM | ||
| Rajyoga Ban Ke Seekho | Brahma Kumaris | D Major | 4 | 10B | 112 BPM | ||
| Ishrate Katra | Radha Viswanathan | A♭ Major | 4 | 4B | 102 BPM | ||
| Chundariya Rakhlu Na Taniko Sambhari | Bharat Sharma Vyas | E♭ Major | 5 | 5B | 82 BPM | ||
| Sheesh Gang Ardhang Parvati | Rajan & Sajan Mishra & Shruti Sadolikar | F♯ Minor | 3 | 11A | 149 BPM | ||
| Ayyannennulla Nahmam - Avathara Vivaranam | Jaya-Vijaya | D♭ Major | 4 | 3B | 86 BPM | ||
| Shiv tandav stotra (Ravan krit) | Ayodhyadas Nimavat | B♭ Minor | 5 | 3A | 151 BPM | ||
| Raga Hindolita | Bhimsen Joshi | B Minor | 3 | 10A | 124 BPM | ||
| Shri Ram Chandra Kripalu Bhajman - Instrumental | Acoustic Trips | D Major | 5 | 10B | 146 BPM | ||
| Acknowledge His Presence All Around You | Veer Manpreet Singh | D♭ Major | 3 | 3B | 140 BPM | ||
| Jiya Na Laage Gharba | Sharda Sinha | B♭ Major | 6 | 6B | 150 BPM | ||
| Ramchandra Raguvira | C.S. Radhakrishna, Sri Ganapathy Sachchidananda Swamiji | B Minor | 6 | 10A | 143 BPM | ||
| Gopala Krishna Radha Krishna | Amma | D♭ Major | 6 | 3B | 90 BPM | ||
| भो शंभो शिवशंभो स्वयंभो | Trupti Dave | E♭ Minor | 7 | 2A | 172 BPM | ||
| Dil Se Teri Nigah Jigar Tak Utar Gayi | K. L. Saigal | B♭ Major | 3 | 6B | 118 BPM | ||
| Velava | Natakurunji Varnam | Ramana Balachandhran | Ramana Balachandhran | F Major | 4 | 7B | 78 BPM | ||
| Better | Ammy | D Minor | 1 | 7A | 81 BPM | ||
| Khodya Kari Manmohana | Godavaribai Munde, Rameshbua Shengaonkar, Kashiram Bua | F♯ Major | 7 | 2B | 170 BPM | ||
| Khali Hou Ego | Sasi Kumar | D♭ Minor | 7 | 12A | 130 BPM | ||
| Aggika Bharadvaja Sutta | Zen Habits | C Minor | 3 | 5A | 132 BPM |