Pierre Rode, Elizabeth Wallfisch's '24 Caprices en formes d'etudes: No. 2 in A Minor' had a release date set for May 19, 2010. With This song being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 24 in the song's album "Rode: 24 Caprices en formes d'etudes". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. Based on our statistics, 24 Caprices en formes d'etudes: No. 2 in A Minor's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With 24 Caprices en formes d'etudes: No. 2 in A Minor by Pierre Rode, Elizabeth Wallfisch having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Violin Concerto No. 2 in D minor Op. 22 (1985 Digital Remaster): III. Allegro con fuoco - Allegro moderato (à la Zingara) | Henryk Wieniawski, Itzhak Perlman, Seiji Ozawa, Boston Symphony Orchestra | D Major | 2 | 10B | 74 BPM | ||
| Duet for Violin & Cello in F Major, Op. 6 No. 2: I. Andante | Franz Anton Hoffmeister, John Mills, Bozidar Vukotic | A Minor | 1 | 8A | 144 BPM | ||
| Partita No. 1 for Solo Violin in B Minor, BWV 1002: III. Courante | Johann Sebastian Bach, Hilary Hahn | B Minor | 1 | 10A | 130 BPM | ||
| Cantabile e Valtz, Op. 19, MS 45 | Niccolò Paganini, Scott St. John, Simon Wynberg | E Major | 1 | 12B | 71 BPM | ||
| Zigeunerweisen, Op. 20 (version for violin and orchestra): III. Allegro molto vivace | RCA Victor Symphony Orchestra & William Steinberg | A♭ Major | 1 | 4B | 88 BPM | ||
| Broken Promises | Orithia | D Major | 6 | 10B | 98 BPM | ||
| Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
| Bagatelles, Op. 47, B. 79: No. 3 in G Minor, Allegretto scherzando | Antonín Dvořák, Josef Suk, Miroslav Ambroš, Jiří Bárta, Jan Simon | E♭ Major | 4 | 5B | 91 BPM | ||
| Cephale et Procris, ou L'amour conjugal: Tambourin (Arr. For violin and piano) | André-Ernest-Modeste Grétry, Takako Nishizaki, Terence Dennis | A Minor | 2 | 8A | 93 BPM | ||
| Violin Concerto No. 12 in E Major, Op. 27: I. Allegro brillante | Pierre Rode, Friedemann Eichhorn, Jena Philharmonic Orchestra, Nicolás Pasquet | E Major | 3 | 12B | 138 BPM | ||
| Suite in G Major, RCT 6: No. 14, Les sauvages - Arr. for Solo Cello - Nouvelles suites de pièces de clavecin | Jean-Philippe Rameau, Christian-Pierre La Marca | F♯ Minor | 3 | 11A | 85 BPM | ||
| Seitz: Schüler-Konzert No. 2, Op. 13: I. Allegro non troppo | Friedrich Seitz, Itzhak Perlman, Lawrence Foster, The Juilliard Orchestra | D Major | 1 | 10B | 62 BPM | ||
| Adagio pour violon et orgue | André Caplet, Chouchane Siranossian, François Saint-Yves | C Major | 1 | 8B | 53 BPM | ||
| Cello Concerto in E Minor, RV 409: I. Adagio - Allegro | Jiaxin Lloyd Webber, Julian Lloyd Webber, European Union Chamber Orchestra, Hanspeter Hofmann | G Minor | 1 | 6A | 108 BPM | ||
| Violin Concerto No. 1 in D Minor, Op. 3: II. Adagio | Pierre Rode, Friedemann Eichhorn, Jena Philharmonic Orchestra, Nicolás Pasquet | B♭ Major | 1 | 6B | 129 BPM | ||
| Sonata No. 2 in A Minor, Op. 27 No. 2: I. "Obession" (Prelude):Poco vivace | Eugène Ysaÿe, James Ehnes | A Minor | 2 | 8A | 128 BPM | ||
| Accolay: Violin Concerto No. 1 in A Minor | Jean Baptist Accolay, Itzhak Perlman, Lawrence Foster, The Juilliard Orchestra | A Minor | 2 | 8A | 97 BPM | ||
| Passacaglia and Sarabande for Violin and Viola (With Variations on a Theme by Handel) | Johan Halvorsen, Itzhak Perlman, Pinchas Zukerman | G Minor | 3 | 6A | 112 BPM | ||
| 6 Sonatas for Violin Solo, Op. 27 / Sonata No. 1 in G Minor: I. Grave | Eugène Ysaÿe, Hilary Hahn | D Major | 2 | 10B | 85 BPM | ||
| Samson & Dalila, Op. 47: Prélude (Arr. for String Quartet by Eric Mouret) | Camille Saint-Saëns, Quatuor Zaïde | B Minor | 1 | 10A | 128 BPM | ||
| Souvenir de Spa, Op. 2: III. Variation 1 | Adrien François Servais, Sol Gabetta, Cappella Gabetta | D Major | 5 | 10B | 76 BPM | ||
| Duet for 2 Violins in D Major, Op. 67, No. 2: I. Allegro | Louis Spohr, Heinz Schunk, Ulrike Petersen | A Major | 1 | 11B | 123 BPM | ||
| Seitz: Schüler-Konzert No. 2, Op. 13: III. Allegro moderato | Friedrich Seitz, Itzhak Perlman, Lawrence Foster, The Juilliard Orchestra | G Major | 1 | 9B | 133 BPM | ||
| Violin Concerto No. 5 in A Major, K. 219 "Turkish": 1. Allegro aperto | Wolfgang Amadeus Mozart, Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi | A Major | 1 | 11B | 126 BPM | ||
| Carmen Concert Fantasy, Op. 25: V. Moderato - Animato | Pablo de Sarasate, Tianwa Yang, Orquesta Sinfónica de Navarra, Ernest Martinez Izquierdo | D Major | 1 | 10B | 157 BPM |