Black Match's 'Redemption' had a release date set for July 10, 2020. With this song being around four minutes long, at 3:42, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "Nowhere". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. Redemption is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Redemption by Black Match having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Burn out the Stars | LORD & LAND | D Major | 8 | 10B | 93 BPM | ||
| The Mountains Are Calling | The Hope Arsenal | D♭ Minor | 3 | 12A | 120 BPM | ||
| For Me, It's You | Lo Moon | C Major | 5 | 8B | 82 BPM | ||
| No One | Black Match | F♯ Minor | 2 | 11A | 75 BPM | ||
| Nothing Left to Be | Covenhoven | D♭ Major | 3 | 3B | 99 BPM | ||
| Frames | Luke Thompson | A♭ Major | 1 | 4B | 81 BPM | ||
| What I've Become | Mcclendon | C Minor | 8 | 5A | 94 BPM | ||
| halogen | sød ven | E Major | 5 | 12B | 145 BPM | ||
| hold on | sød ven | E♭ Major | 2 | 5B | 154 BPM | ||
| How Can I | Axel Flóvent | D♭ Major | 3 | 3B | 83 BPM | ||
| Shape | Mountains of the Moon | G Major | 2 | 9B | 77 BPM | ||
| God's Empty Chair | Covenhoven | E♭ Major | 3 | 5B | 112 BPM | ||
| Signs of Life | Lewis Ross | A Major | 2 | 11B | 112 BPM | ||
| If/Then | Davis John Patton | E♭ Major | 3 | 5B | 127 BPM | ||
| Mother Tongue | Joshua Moss | G Major | 2 | 9B | 120 BPM | ||
| Sparks | Hills x Hills | C Major | 8 | 8B | 172 BPM | ||
| Evenings with Family | Vincent Lima | D Major | 4 | 10B | 138 BPM | ||
| Underscore | Vintz Desert | A Major | 2 | 11B | 118 BPM | ||
| Decimal | Novo Amor | G Major | 4 | 9B | 79 BPM | ||
| how it used to be | Jon Rafa, FWD The Man | G Minor | 4 | 6A | 114 BPM | ||
| House on the Hill | Garrett Kato | E Major | 2 | 12B | 118 BPM | ||
| Please Don't Leave Me Like This | Edward + Jane | D♭ Major | 4 | 3B | 122 BPM | ||
| Redwoods | Hayden Everett | D♭ Major | 4 | 3B | 110 BPM | ||
| Albany | Vincent Lima | C Minor | 4 | 5A | 108 BPM | ||
| Nothing to Lose | Hunter Metts | D♭ Major | 3 | 3B | 92 BPM |