Ruddy Thomas's ' "Stealing Love on the Side" was released on its scheduled release date, January 1, 1998. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 16 in the song's album "Stealing Love". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. The popularity of Stealing Love on the Side is currently not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Stealing Love on the Side by Ruddy Thomas having a BPM of 171 with a half-time of 86 BPM and a double-time of 342 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Won't You Come Home / Bump Skank (feat. Trinity & Dillinger) | The Itals (feat. Trinity & Dillinger), Trinity, Dillinger | C Major | 4 | 8B | 147 BPM | ||
| I'm in Love With a Dreadlocks | Brown Sugar | B Minor | 7 | 10A | 129 BPM | ||
| Mad About You | Ginger Williams | E♭ Major | 5 | 5B | 74 BPM | ||
| When I Think Of You | Ruddy Thomas | D Minor | 4 | 7A | 144 BPM | ||
| Madness (Bonus Track) | The Maytones | F♯ Major | 4 | 2B | 79 BPM | ||
| No Jestering | Carl Malcom | B Major | 4 | 1B | 151 BPM | ||
| Since I've Been Away | Jimmy London | C Major | 6 | 8B | 77 BPM | ||
| Will You Still Love Me Tomorrow | Barbara Jones | D♭ Minor | 4 | 12A | 93 BPM | ||
| Humanity | Prince Lincoln, The Royal Rasses | E Minor | 5 | 9A | 131 BPM | ||
| Time to Leave Daddy | Ruddy Thomas, Errol Brown | F♯ Minor | 3 | 11A | 87 BPM | ||
| I Adore You | Sandra Cross | F Major | 4 | 7B | 134 BPM | ||
| Sexy Eyes | Mike Anthony | A♭ Major | 3 | 4B | 85 BPM | ||
| Looking Over Love | Kofi | B Major | 4 | 1B | 74 BPM | ||
| Time To Change | Fred Locks | F♯ Minor | 5 | 11A | 74 BPM | ||
| Buttercup | Winston Scotland | G Major | 4 | 9B | 78 BPM | ||
| Hurry Over | Barry Boom | G Major | 2 | 9B | 83 BPM | ||
| Conversation | Slim Smith | D♭ Major | 4 | 3B | 85 BPM | ||
| Do You Ever Think About Me | Pure Silk, One Destiny | D Minor | 3 | 7A | 83 BPM | ||
| Its True | Donna Rhoden | C Major | 6 | 8B | 135 BPM | ||
| Let Them Say | Bob Andy | G Major | 3 | 9B | 77 BPM | ||
| Let Me Know It | Ruddy Thomas | A Major | 8 | 11B | 134 BPM | ||
| Since I Fell for You | Janet Kay | C Major | 5 | 8B | 142 BPM | ||
| Just My Imagination | Barry Biggs | C Major | 6 | 8B | 92 BPM | ||
| You Love You | Gavin Miller | B Major | 4 | 1B | 151 BPM | ||
| No Getting Over | Sandra Cross | D Major | 6 | 10B | 80 BPM |