Philip Glass, Michael Riesman's 'Taking Lives' had a release date set for July 19, 2019. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 16 in the song's album "Philip Glass Soundtracks Vol. II". In this album, this song's track order is #15. Furthermore, we believe that the track originated from United States. Based on our statistics, Taking Lives's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Taking Lives by Philip Glass, Michael Riesman having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Golden Brown | Estoria | A Minor | 2 | 8A | 174 BPM | ||
| The Unanswered Question | Charles Ives, Cincinnati Philharmonia Orchestra, Gerhard Samuel | C Major | 0 | 8B | 68 BPM | ||
| Radiohead: Like Spinning Plates | Anastasia Kobekina, Jean-Sélim Abdelmoula | D♭ Minor | 0 | 12A | 77 BPM | ||
| Another Long Evening | Kronos Quartet, Laurie Anderson | C Minor | 1 | 5A | 88 BPM | ||
| Hamnavoe | Erland Cooper | A♭ Minor | 2 | 1A | 100 BPM | ||
| Solo? Repeat! | Anne Müller | A♭ Major | 2 | 4B | 95 BPM | ||
| Eights | Rachel Grimes | C Major | 2 | 8B | 104 BPM | ||
| Jack Montparnasse | VITMAY | A Minor | 2 | 8A | 174 BPM | ||
| Stillness Of The Mind | Abel Korzeniowski | A Minor | 0 | 8A | 75 BPM | ||
| Tree | Luke Abbott | F Minor | 1 | 4A | 125 BPM | ||
| 24 Preludes for Violin and Piano, Op. 46: No. 8 Andante | Lera Auerbach, Daniel Hope, Jacques Ammon | D Major | 0 | 10B | 82 BPM | ||
| All In Circles | Shida Shahabi | A♭ Major | 1 | 4B | 146 BPM | ||
| Études: No. 6 | Philip Glass, Víkingur Ólafsson | F Minor | 2 | 4A | 110 BPM | ||
| Prelude in G Major | Víkingur Ólafsson | G Major | 0 | 9B | 102 BPM | ||
| Glassworks: Opening | Philip Glass, Víkingur Ólafsson | E♭ Major | 0 | 5B | 213 BPM | ||
| G Song | Terry Riley, Kronos Quartet | G Minor | 2 | 6A | 109 BPM | ||
| Fljótavík | Georg Holm, Jon Thor Birgisson, Kjartan Sveinsson, Orri Pall Dyrason, 12 Ensemble | A♭ Major | 1 | 4B | 85 BPM | ||
| Eon | Meredith Monk | A Minor | 1 | 8A | 157 BPM | ||
| Glassworks: VI. Closing | Philip Glass, Philip Glass Ensemble, Michael Riesman | E♭ Major | 1 | 5B | 135 BPM | ||
| Halcyon Hill | Rachel Grimes | G Minor | 2 | 6A | 132 BPM | ||
| Adagio in D Minor, BWV 974: II. Adagio | Johann Sebastian Bach, Alexandre Tharaud | D Minor | 0 | 7A | 65 BPM | ||
| DANCE: III. in the middle of the fighting | Anna Clyne, Inbal Segev, London Philharmonic Orchestra, Marin Alsop | A Minor | 1 | 8A | 82 BPM | ||
| Floating / Sinking | Peter Broderick | A Minor | 1 | 8A | 89 BPM | ||
| The Tearjerker Returns | Chilly Gonzales, Jarvis Cocker | G Minor | 0 | 6A | 80 BPM | ||
| Electric Tail Wag | VITMAY | A Minor | 2 | 8A | 174 BPM |