Ricardo "Chiqui" Pereyra's ' "Tres Esquinas" was released on its scheduled release date, March 17, 2011. The duration of This song is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Tres Esquinas's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Ricardo "Chiqui" Pereyra's "Mi Buenos Tangos Querido" album is number 1 out of 10. On top of that, Argentina appears to be the country where this track was created. In terms of popularity, Tres Esquinas is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Tres Esquinas by Ricardo "Chiqui" Pereyra to be Moderato (at a moderate speed) because the track has a tempo of 118 BPM, a half-time of 59BPM, and a double-time of 236 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Caricias | Hugo Duval y Rodolfo Biaggi | E Minor | 2 | 9A | 121 BPM | ||
| Tus Palabras y la Noche - Remastered | Carlos Di Sarli, Oscar Serpa | A Major | 4 | 11B | 114 BPM | ||
| Réquiem para un Amor en Fa_ | JEIRI SONJ | F♯ Minor | 2 | 11A | 120 BPM | ||
| Mariposita | Orquesta Rodolfo Biagi, Hugo Duval, Anselmo Aieta, Francisco García Jiménez | A Minor | 3 | 8A | 120 BPM | ||
| Par vos canilla | Rúben Juárez | G Major | 2 | 9B | 112 BPM | ||
| Recuerdo | Osvaldo Pugliese y su Orquesta | G Minor | 3 | 6A | 125 BPM | ||
| El Internado | Pablo Ramos & los Herederos del Compás | C Minor | 3 | 5A | 126 BPM | ||
| Yuyo Brujo | Pablo Valle Sexteto | C Minor | 4 | 5A | 131 BPM | ||
| No Es No | Leandro Airala | A Minor | 3 | 8A | 118 BPM | ||
| El Aguacero | Rubén Juárez | F Major | 4 | 7B | 114 BPM | ||
| Que nunca me falte | Ricardo Tanturi y Enrique Campos | D♭ Minor | 3 | 12A | 130 BPM | ||
| Pena gaucha | Orquesta Roberto Firpo, Carlos Varela, Enrique Forte, Armando Acquarone, Rafael José Velich | C Major | 2 | 8B | 78 BPM | ||
| Sur | Nelly Omar | A Minor | 3 | 8A | 115 BPM | ||
| Chatarra | Ricardo "Chiqui" Pereyra | E Minor | 6 | 9A | 110 BPM | ||
| Sonata | Agustin Magaldi | F♯ Major | 8 | 2B | 118 BPM | ||
| Adiós Pueblo | Orquesta Típica Tanturi | B♭ Major | 3 | 6B | 129 BPM | ||
| Quinto año | Guillermo Galvé | C Minor | 3 | 5A | 116 BPM | ||
| Cimarrón de ausencia - Estilo Aníbal Troilo | SEXTETO VISCERAL | E Minor | 5 | 9A | 106 BPM | ||
| Cuesta Abajo | Susana Rinaldi | A♭ Major | 2 | 4B | 60 BPM | ||
| La Madrugada | La Auténtica Milonguera | A Minor | 3 | 8A | 121 BPM | ||
| El sauce y el río | Coqui Ortiz, Facundo Rodríguez, Julio Ramírez, Fernando Silva | C Major | 1 | 8B | 123 BPM | ||
| Sorbos amargos | Lucio Demare, O.T. con Juan Carlos Miranda | G Major | 2 | 9B | 113 BPM | ||
| Cristal | La Auténtica Milonguera | B♭ Major | 2 | 6B | 127 BPM | ||
| Mimi Pinson (with Gran Orquesta Típica OTRA) | Omar Mollo, Gran Orquesta Típica OTRA | G Major | 4 | 9B | 102 BPM | ||
| Volverás | Osvaldo Fresedo | D Major | 4 | 10B | 121 BPM |