"The Orchard" by Thomas Newman had its release date on June 28, 1996. The duration of This song is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. The Orchard's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 11 in the song's album "Phenomenon (Music From The Motion Picture)". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United States. The popularity of The Orchard is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Orchard by Thomas Newman having a BPM of 170 with a half-time of 85 BPM and a double-time of 340 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Do You Still Miss Him? - From "The Quiet American" | Craig Armstrong, Brussels Philharmonic, Dirk Brossé | D♭ Minor | 1 | 12A | 82 BPM | ||
| The British Arrival | Trevor Jones | E Major | 1 | 12B | 61 BPM | ||
| Precedent | Howard Shore | G Major | 1 | 9B | 78 BPM | ||
| Snowdrop | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | C Major | 1 | 8B | 83 BPM | ||
| Let's Fish | Roque Baños | G Major | 2 | 9B | 104 BPM | ||
| Body Heat | Harald Kloser | A Minor | 1 | 8A | 83 BPM | ||
| Revenge (From "Legends Of The Fall" Soundtrack) | James Horner, Vic Frasier | E Minor | 1 | 9A | 138 BPM | ||
| Hometown Hero | William Ross | A♭ Major | 1 | 4B | 79 BPM | ||
| The Aftermath | W.G. Snuffy Walden | G Minor | 1 | 6A | 63 BPM | ||
| One True Thing | Cliff Eidelman | A Major | 0 | 11B | 168 BPM | ||
| Bill And Sookie Together | Nathan Barr | D Minor | 2 | 7A | 110 BPM | ||
| Thinking Aloud | B.S.O. Varios | E♭ Minor | 1 | 2A | 81 BPM | ||
| Last of the Dogmen | Last Of The Dogmen | C Major | 2 | 8B | 82 BPM | ||
| Carnegie's Demise | Atticus Ross | A Major | 3 | 11B | 124 BPM | ||
| Protect Life | Éric Serra | B Minor | 1 | 10A | 80 BPM | ||
| Craving The Cold | Kevin Smuts | G Major | 0 | 9B | 67 BPM | ||
| End Credits - From "Serenity" | David Newman | G Major | 4 | 9B | 84 BPM | ||
| The Ascanius | Thomas Newman | G Minor | 2 | 6A | 97 BPM | ||
| Lunch With The King | Thomas Newman | A Major | 3 | 11B | 161 BPM | ||
| So Much Life | Bear McCreary | C Major | 0 | 8B | 110 BPM | ||
| Searching For Skip | William Ross | D♭ Major | 1 | 3B | 134 BPM | ||
| I. Cremona, Main Title | John Corigliano, Esa-Pekka Salonen | A♭ Major | 0 | 4B | 80 BPM | ||
| Justin & Birdie | Dave Grusin | G Major | 1 | 9B | 88 BPM | ||
| Night Orchard | Thomas Newman | E Minor | 2 | 9A | 173 BPM | ||
| Mrs. Doubtfire | Howard Shore | G Major | 2 | 9B | 97 BPM |