"Bartok, String Quartet, No. 1, Op. 7, Allegro" by Charles Roland Berry, Philharmonia La Seine had its release date on September 12, 2021. With This song being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 9 out of 20 in Classical Serious, Set 29 by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Bartok, String Quartet, No. 1, Op. 7, Allegro's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bartok, String Quartet, No. 1, Op. 7, Allegro by Charles Roland Berry, Philharmonia La Seine is Allegro (fast, quick, and bright), since this song has a tempo of 121 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Finlandia, Op. 26 | Jean Sibelius, Thomas Søndergård, BBC National Orchestra Of Wales | A♭ Major | 2 | 4B | 70 BPM | ||
| Le roi s'amuse: Gaillarde | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Minor | 1 | 8A | 96 BPM | ||
| Saint-Saens, Appassionato for Violoncello and Orchestra | Charles Roland Berry, Philharmonia La Seine | G Major | 4 | 9B | 100 BPM | ||
| Hebrew Slaves Chorus from Nabucco | The London Symphony Orchestra - The London Symphony Chorus | D♭ Major | 0 | 3B | 69 BPM | ||
| Karelia Suite, Op.11: 1. Intermezzo (Moderato) | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | E♭ Major | 1 | 5B | 182 BPM | ||
| Trumpet Tune in C Major, ZT 697 (Arr. for Brass Ensemble and Organ) | Henry Purcell, The Michael Laird Brass Ensemble, Peter Hurford | D Major | 1 | 10B | 99 BPM | ||
| Intermezzo From Cavalleria Rusticana | Pietro Mascagni, Royal Philharmonic Orchestra, Philip Ellis | F Major | 1 | 7B | 86 BPM | ||
| Serenade for Strings in C, Op. 48: 1. Pezzo in forma di sonatina: Andante non troppo - Allegro moderato | Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Semyon Bychkov | B♭ Minor | 0 | 3A | 66 BPM | ||
| Dvorak, Slavonic Dance, Op. 46, No. 4 in F Major | Philharmonia La Seine | F Major | 2 | 7B | 78 BPM | ||
| Serenade for String Orchestra in C Minor, Op. posth.: VI. Andante sostenuto | Max Bruch, George Hanson, Sinfonieorchester Wuppertal | E♭ Major | 0 | 5B | 87 BPM | ||
| Appalachian Spring - 1945 Suite: 7. Doppio movimento: Variations on a Shaker Hymn | Aaron Copland, Los Angeles Philharmonic, Zubin Mehta | D♭ Major | 1 | 3B | 85 BPM | ||
| Brahms, Cello Sonata, No.1 in E Minor, 3 Allegro | Charles Roland Berry, Philharmonia La Seine | F Major | 4 | 7B | 150 BPM | ||
| Elizabethan Serenade | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | F Major | 0 | 7B | 149 BPM | ||
| Little Fugue in G Minor, BWV 578 (Arr. Leopold Stokowski) | Johann Sebastian Bach, Matthias Bamert, BBC Philharmonic | G Minor | 1 | 6A | 75 BPM | ||
| The Music Makers, Op. 69: II. We Are the music makers | Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon Wright | B♭ Minor | 0 | 3A | 79 BPM | ||
| Bach.Jesu Bleibet Meine Freude.Organ.Joy of Man's Desiring | Philharmonia La Seine | G Major | 0 | 9B | 71 BPM | ||
| Symphony No. 3 in C Minor, Op. 78 "Organ Symphony": 2b. Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Peter Hurford, Orchestre Symphonique de Montréal, Charles Dutoit | G Major | 3 | 9B | 150 BPM | ||
| Spitfire Prelude and Fugue | William Walton, English Northern Philharmonia, Paul Daniel | C Major | 3 | 8B | 125 BPM | ||
| Florida Suite: II. By the River | Frederick Delius, English Northern Philharmonia, David Lloyd-Jones | G Major | 0 | 9B | 68 BPM | ||
| The Love for Three Oranges Op. 33: Marche | Sergei Prokofiev, Kent Nagano, Orchestre De L'Opéra National De Lyon | A♭ Major | 4 | 4B | 128 BPM | ||
| Haydn: Trumpet Concerto In E Flat - I Allegro | Joseph Haydn, Tine Thing Helseth | E♭ Major | 1 | 5B | 134 BPM | ||
| Strauss, Johan, Emperor Waltz | Charles Roland Berry, Philharmonia La Seine | C Minor | 4 | 5A | 92 BPM | ||
| Tchaikovsky: Suite from The Sleeping Beauty, Op. 66a: V. Waltz | Pyotr Ilyich Tchaikovsky, Philadelphia Orchestra, Riccardo Muti | G Minor | 1 | 6A | 75 BPM | ||
| Saint-Saens, Organ Symphony, Finale | Philharmonia La Seine | F Major | 4 | 7B | 150 BPM | ||
| Gold And Silver Waltz (Gold und Silber/L'or et l'argent) | Franz Lehár, Strauss Festival Orchestra, Peter Guth | C Major | 2 | 8B | 175 BPM |