Raime's 'Passed over Trail' had a release date set for November 26, 2012. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 7 in the song's album "Quarter Turns over a Living Line". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Passed over Trail's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Passed over Trail by Raime having a BPM of 138 with a half-time of 69 BPM and a double-time of 276 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Boat Was My Friend | Svarte Greiner | B Minor | 2 | 10A | 95 BPM | ||
| Blob on the Lawn | Lucrecia Dalt | D Major | 1 | 10B | 159 BPM | ||
| Anthropic Uncreation | Vestigial | D Major | 7 | 10B | 129 BPM | ||
| A Thousand Empty Rooms | Atrium Carceri, Cities Last Broadcast, God Body Disconnect | C Major | 0 | 8B | 177 BPM | ||
| The Sudden Rush | Biosphere | B Major | 2 | 1B | 70 BPM | ||
| Surface Wear | Murcof | B Minor | 0 | 10A | 112 BPM | ||
| Mundus patet | Hiro Kone | D Major | 6 | 10B | 131 BPM | ||
| Secretly Wishing for Rain | Rafael Anton Irisarri, Julia Kent | D♭ Minor | 2 | 12A | 83 BPM | ||
| With the Dark Hug of Time | Colin Stetson, Sarah Neufeld | F Major | 4 | 7B | 135 BPM | ||
| Elegy, Part II | Gidge | C Minor | 2 | 5A | 68 BPM | ||
| Chainsawfish | Senking | A Major | 6 | 11B | 140 BPM | ||
| Glassed | Raime | A Major | 2 | 11B | 131 BPM | ||
| Our Valleys Are Always Uncanny | Raime | C Minor | 3 | 5A | 138 BPM | ||
| Evensong | Sarah Davachi | E♭ Major | 1 | 5B | 133 BPM | ||
| Hold Your Line | Raime | D Major | 3 | 10B | 126 BPM | ||
| As Weird as the Elfin Lights | Biosphere | B Major | 2 | 1B | 70 BPM | ||
| The Sun Roars Into View | Colin Stetson, Sarah Neufeld | A♭ Major | 7 | 4B | 186 BPM | ||
| Dead People's Things | Deathprod | A♭ Major | 3 | 4B | 132 BPM | ||
| Something Akin to Lust | Telefon Tel Aviv | D Minor | 7 | 7A | 120 BPM | ||
| Venter | Ben Frost | A♭ Major | 6 | 4B | 188 BPM | ||
| Melts All Your Memories | Vanity Productions | F Minor | 6 | 4A | 72 BPM | ||
| Hello Victim! Awake! | Coil, Black Sun Productions | C Major | 1 | 8B | 179 BPM | ||
| The Sitting | Cities Last Broadcast | B Major | 2 | 1B | 87 BPM | ||
| Sleepless | Andy Stott | E Minor | 8 | 9A | 106 BPM | ||
| An Open Door | Roly Porter | D♭ Major | 2 | 3B | 75 BPM |