Pierre de la Rue, New London Chamber Choir, James Wood's ' "Missa pro defunctis: II. Kyrie" was released on its scheduled release date, January 1, 1986. The duration of This song is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Missa pro defunctis: II. Kyrie's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Pierre De La Rue: Requiem - Josquin Desprez: Mass - Hercules dux Ferrariae - Deploration". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Missa pro defunctis: II. Kyrie's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Missa pro defunctis: II. Kyrie by Pierre de la Rue, New London Chamber Choir, James Wood having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Holy Spirit Mass: The Spirit's Work: Come | Kim André Arnesen, Mona Spigseth, Trondheim Vokalensemble, TrondheimSolistene, Sofi Jeannin | F Minor | 1 | 4A | 127 BPM | ||
| Facultad organica: No. 15, Tiento de quarto tono, FO 15 - Version for Consort of 4 Viols | Francisco Correa de Arauxo, Philippe Pierlot, Myriam Rignol, Anna Lachegyi, Lucile Boulanger | A♭ Minor | 1 | 1A | 87 BPM | ||
| Messe vidi turbam magnam: No. 7, Agnus dei | Gregorio Allegri, A Sei Voci, Bernard Fabre-Garrus | F Major | 1 | 7B | 67 BPM | ||
| Allegri: Miserere - 11. Tunc Acceptabis | The Tallis Scholars, Peter Phillips | G Minor | 0 | 6A | 89 BPM | ||
| The Lord of Salisbury his Pavin | Orlando Gibbons, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 66 BPM | ||
| Fantasia chromatica | Jan Pieter Sweelinck, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 69 BPM | ||
| Maidan 2014 / Cycle IV: II. Elegy | Valentin Silvestrov, Kiev Chamber Choir, Mykola Hobdych | F Minor | 0 | 4A | 77 BPM | ||
| Procedentem sponsum | Anonymous, Jan Garbarek, The Hilliard Ensemble | D Minor | 1 | 7A | 172 BPM | ||
| Parfons regretz, NJE 29.19 | Josquin des Prez, Graindelavoix, Björn Schmelzer | D Minor | 1 | 7A | 136 BPM | ||
| Palestrina: Missa Papae Marcelli - 5a. Agnus Dei 1 | The Tallis Scholars, Peter Phillips | B Major | 1 | 1B | 66 BPM | ||
| Tenebrae Responsories, Feria quinta: IV. Amicus meus | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | A Minor | 1 | 8A | 131 BPM | ||
| Pange lingua, WAB 33 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | C Major | 0 | 8B | 132 BPM | ||
| MISA IN TE DOMINE SPERAVI: Gloria | Francisco Guerrero, A5 Vocal Ensemble | G Minor | 1 | 6A | 85 BPM | ||
| Missa Malheur me bat a 4: Kyrie | Jacob Obrecht, Ars Nova Secunda, Janos Bali | F♯ Minor | 2 | 11A | 73 BPM | ||
| Miserere: II. Tibi soli peccavi | Gregorio Allegri, Le Poème Harmonique, Vincent Dumestre | F Minor | 1 | 4A | 84 BPM | ||
| Missa in A Major: IV. Sanctus - Benedictus | Miklós Kocsár, Cantemus Children Choir, Pro Musica, Szabó Dénes | D♭ Major | 1 | 3B | 108 BPM | ||
| Kanon Pokajanen: Ode III | Arvo Pärt, Estonian Philharmonic Chamber Choir, Tõnu Kaljuste | D Minor | 0 | 7A | 71 BPM | ||
| Monks Spiritual Peaceful Meditation | Gregorian Monk, Monks Of The Abbey Of Notre Dame, Gregorian Chants | F Major | 1 | 7B | 114 BPM | ||
| Missa pro defunctis: VII. Communio (Lux aeterna) | Johann Caspar Kerll, Vox Luminis, Lionel Meunier, L'Achéron | F Major | 0 | 7B | 83 BPM | ||
| Lachrimae or Seven Tears: IV. Lachrimae tristes | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
| Motets: Alma redemptoris mater | Guillaume Dufay, Pomerium, Alexander Blachly | C Major | 1 | 8B | 74 BPM | ||
| Berliner Messe: IV. Zweiter Alleluiavers | Arvo Pärt, Tõnu Kaljuste, Estonian Philharmonic Chamber Choir, Tallinn Chamber Orchestra | B Minor | 0 | 10A | 82 BPM | ||
| Facultad organica: No. 23, Tiento sobre la primera parte de la "Batalla de Morales", FO 23 - Version for Consort of 4 Viols | Francisco Correa de Arauxo, Philippe Pierlot, Myriam Rignol, Anna Lachegyi, Lucile Boulanger | E Major | 1 | 12B | 113 BPM | ||
| Kronstorfer Messe in D Minor, WAB 146: IV. Agnus Dei | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | D Major | 1 | 10B | 86 BPM | ||
| Audivi vocem de caelo | John Taverner, Alamire, David Skinner | D♭ Major | 2 | 3B | 136 BPM |