Benjamin Herman, Bert Joris, Misha Mengelberg's ' "Heterogeneity" was released on its scheduled release date, March 2, 2004. This song is about six minutes long, preciously at 5:31, making this song fairly long compared to other songs. The track order of this song in Benjamin Herman's "Heterogeneity" album is number 5 out of 12. On top of that, Netherlands appears to be the country where this track was created. In terms of popularity, Heterogeneity is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Heterogeneity by Benjamin Herman, Bert Joris, Misha Mengelberg to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Journey to the Stars | Tom Harrell | F Minor | 1 | 4A | 122 BPM | ||
| Perry | Westland Saxofoon Orkest, Benjamin Herman | C Minor | 5 | 5A | 128 BPM | ||
| Midnight (night shop) | Love the System, Benjamin Herman | D♭ Major | 8 | 3B | 117 BPM | ||
| Midnight Sun Upon Saltværsøya | Cecilie Strange | F♯ Minor | 0 | 11A | 172 BPM | ||
| Balanced | Jan Harbeck Quartet | C Minor | 1 | 5A | 83 BPM | ||
| Foreword | Sultan Stevenson, Josh Short, Denys Baptiste | A Minor | 3 | 8A | 76 BPM | ||
| Après Un Rêve | Helge Lien Trio, Tore Brunborg | A♭ Major | 1 | 4B | 168 BPM | ||
| The Crystal Ship | Joachim Kühn, Eric Schaefer, Chris Jennings | F Minor | 3 | 4A | 69 BPM | ||
| These Foolish Things | Cassandra Wilson | D Major | 3 | 10B | 122 BPM | ||
| Tu es trop belle | Paul Rossy, The Sunset Hill Jazz Band | G Major | 4 | 9B | 105 BPM | ||
| Swing Piece | Manu Katché | A Minor | 2 | 8A | 129 BPM | ||
| Blue Is All That's Left | Eric van der Westen | C Minor | 1 | 5A | 103 BPM | ||
| Love Theme From Spartacu | Benjamin Herman, Daniël von Piekartz | F Major | 4 | 7B | 132 BPM | ||
| When Sunny Smiles | Cecilie Strange | G Minor | 2 | 6A | 114 BPM | ||
| Because | Anthony Wilson Nonet | C Major | 5 | 8B | 142 BPM | ||
| The Morning After the Night Before | Courtney Pine | C Minor | 1 | 5A | 128 BPM | ||
| Don't Cry for No Hipster | Ben Sidran | F Minor | 3 | 4A | 100 BPM | ||
| The Last Page of Our Story | Jazz & Co. | E♭ Major | 2 | 5B | 139 BPM | ||
| London Blues | Spirit Fingers, Greg Spero, Judi Jackson | F Minor | 6 | 4A | 120 BPM | ||
| I Mean You | Esbjörn Svensson Trio | B♭ Major | 3 | 6B | 126 BPM | ||
| Illicit Love | Tutu Puoane | A Minor | 1 | 8A | 114 BPM | ||
| Andalúziai Éjszaka | Dr. Jazz Duo | B♭ Minor | 3 | 3A | 141 BPM | ||
| Serene Isolation | Jazz & Co. | C Major | 0 | 8B | 68 BPM | ||
| Almost True | Janet Evra, Randy Brecker | F Minor | 2 | 4A | 77 BPM | ||
| A Slow Hot Wind | Benjamin Herman, Daniël von Piekartz | A Minor | 2 | 8A | 81 BPM |