"Hikari no Uta" by 江幡 育子 had its release date on November 27, 2009. With This song being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in ニトロプラス's "Jaaku Sengen Soukouakki Muramasa Original Sound Track" album is number 18 out of 54. On top of that, Japan appears to be the country where this track was created. The popularity of Hikari no Uta is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Hikari no Uta by 江幡 育子 to be Presto (very, very fast) because the track has a tempo of 196 BPM, a half-time of 98BPM, and a double-time of 392 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Companthem / Battleground | Kuniyuki Takahashi, 岡部啓一 | D Major | 8 | 10B | 89 BPM | ||
| Sanctuary | 黒石ひとみ | E Major | 2 | 12B | 116 BPM | ||
| 天神族のテーマ -祇祀り Ver.- | Rei Kondoh | B Minor | 9 | 10A | 130 BPM | ||
| Shojo no Genso | riya, VISUAL ARTS / Key | B♭ Major | 4 | 6B | 78 BPM | ||
| Higurashi no Naku Koro ni - Main Theme - Gamelan Version | Ray Krislianggi | B♭ Major | 2 | 6B | 140 BPM | ||
| 愛して愛して愛して - 2025 Live | Tokyo Philharmonic Orchestra | F Minor | 4 | 4A | 90 BPM | ||
| Money Minded | Major Impact | E♭ Minor | 7 | 2A | 155 BPM | ||
| 残響と白き死神 ("The Reverberation" vs. "White Death") | Morrigan, Noriko Mitose, Lily | A Minor | 8 | 8A | 107 BPM | ||
| The Separated Swallows: Prelude | The 1999 | F Minor | 4 | 4A | 90 BPM | ||
| 月光 | 増田俊郎 | B♭ Minor | 0 | 3A | 79 BPM | ||
| 心のチャイム(2012 Version) | hil | C Major | 8 | 8B | 130 BPM | ||
| 終ワリノ歌 | Kenichiro Suehiro | A Major | 2 | 11B | 66 BPM | ||
| 異峡の湖面にて | Junichi Matsumoto | E♭ Major | 1 | 5B | 72 BPM | ||
| Hakuginbousei | 神保 伸太郎 | G Major | 9 | 9B | 196 BPM | ||
| ぬくみ雪 | 出羽良彰 | D Minor | 4 | 7A | 118 BPM | ||
| Virtual reality | 阿保剛 | B♭ Minor | 8 | 3A | 192 BPM | ||
| 運命の子たち・果実 | Yukari Hashimoto | B Minor | 3 | 10A | 99 BPM | ||
| blue drops | 高田雅史 | F Minor | 4 | 4A | 90 BPM | ||
| 静寂ノ旅路 | Kenichiro Suehiro | G Major | 0 | 9B | 140 BPM | ||
| Teorema | Barbarian On The Groove, Haruka Shimotsuki, bassy, 霜月はるか | F Major | 7 | 7B | 140 BPM | ||
| 鏡の国の騒動 | Hideyuki Fukasawa | D♭ Major | 6 | 3B | 160 BPM | ||
| ナイチンゲールの歌 - Japanese Version | The Misty Corvus, フィーナ(CV. 長縄まりあ) | C Minor | 1 | 5A | 115 BPM | ||
| 黄昏 | mamomo | A Major | 8 | 11B | 136 BPM | ||
| Ring | Gabriela Robin | E Minor | 3 | 9A | 76 BPM | ||
| Kuu | ayumi | G Major | 8 | 9B | 146 BPM |