"Intermedes de Xerxes: Ouverture" by Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon had its release date on May 4, 1998. The duration of This song is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Intermedes de Xerxes: Ouverture's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jean-Baptiste Lully's "Lully: Ballet Music for the Sun King" album is number 10 out of 35. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, Intermedes de Xerxes: Ouverture is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Intermedes de Xerxes: Ouverture by Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Concert royaux, Quatrième concert in E Minor: VII. Forlane en rondeau. Gaiement | François Couperin, Lucie Horsch, Tom Foster | E♭ Major | 0 | 5B | 72 BPM | ||
| 6 Sonates en symphonies, Op. 3, Sonata No. 1: I. Overture. Grave, Staccato – Allegro | Jean-Joseph Cassanéa De Mondonville, Les Musiciens du Louvre, Marc Minkowski | F♯ Minor | 2 | 11A | 108 BPM | ||
| Circe, Z. 575: Magicians' Dance | Henry Purcell, Giles Tomkins, Brian Duyn, Peter Mahon, Neil Aronoff, Nicole Bower, Roz McArthur, Aradia Ensemble, Kevin Mallon | A Major | 0 | 11B | 113 BPM | ||
| Concerto for 2 Flutes & Bassoon in G Major, TWV 53:G1: III. Largo | Georg Philipp Telemann, Barthold Kuijken, Leela Breithaupt, Stephanie Corwin, Indianapolis Baroque Orchestra | D♭ Major | 0 | 3B | 117 BPM | ||
| Symphony in E-Flat Major, W. I/10: III. Allegro assai | Johann Christoph Friedrich Bach, Concerto Köln | A Major | 2 | 11B | 120 BPM | ||
| Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: II. Allegro | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain Gervreau | A♭ Minor | 2 | 1A | 131 BPM | ||
| Atys, "Le Sommeil" Opera In 5 Acts With Prologue: Dormons, dormons tous | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | F♯ Minor | 0 | 11A | 137 BPM | ||
| Les Indes Galantes - Chaconne | Jean-Philippe Rameau, Jordi Savall, Le Concert Des Nations | D♭ Major | 2 | 3B | 119 BPM | ||
| Oboe Concerto in G Minor, HWV 287: I. Grave | George Frideric Handel, Musica Gloria, Beniamino Paganini, Nele Vertommen, Evan Buttar, Elise Dupont, Giulio Quirici, Lena Rademann, Daria Spiridonova | E Major | 3 | 12B | 122 BPM | ||
| Telemann: Concerto for Recorder and Bassoon in F Major, TWV 52:F1: III. Grave | Georg Philipp Telemann, Nikolaus Harnoncourt, Frans Brüggen, Otto Fleischmann, Concentus Musicus Wien | D Major | 0 | 10B | 127 BPM | ||
| Symphony in A Major, J-C 62: IIIb. Allegro (alternative finale) | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 137 BPM | ||
| Les plaisirs: 2e Ouverture | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 114 BPM | ||
| Quartet in G Major: II. Allegro ma non troppo | Johann Gottlieb Janitsch, Berliner Barock Compagney | F♯ Major | 1 | 2B | 139 BPM | ||
| Concerto grosso No. 5 in D Minor: II. Allegro (After D. Scarlatti) | Charles Avison, Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 2 | 12A | 132 BPM | ||
| Concerto Grosso in C Minor, Op. 2, No. 2: II. Allegro | Francesco Geminiani, Tafelmusik Baroque Orchestra, Jeanne Lamon | B Minor | 2 | 10A | 181 BPM | ||
| Le Concert: Premier air | Mademoiselle Laurant, Sophie de Bardonnèche, Louise Ayrton, Marta Paramo, Clément Batrel-Genin, Hanna Salzenstein, Justin Taylor | F♯ Minor | 1 | 11A | 92 BPM | ||
| Florilegium II, Chaconne de la Suite IV « Impatientia » | Georg Muffat, Le Concert Des Nations, Jordi Savall | A Major | 2 | 11B | 138 BPM | ||
| Overture (Suite) In G Minor, TWV 55: G4: III. Les Irresoluts | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 1 | 6A | 82 BPM | ||
| Symphony in D Minor, J-C 23: II. Grave | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 137 BPM | ||
| In Nomine No. 20, 'Crye' | Christopher Tye, The Rose Consort Of Viols | D♭ Minor | 1 | 12A | 98 BPM | ||
| Concerto for 2 Violins in D Minor, Op. 6, No. 10: I. Adagio | Giuseppe Torelli, Berliner Barock Compagney | F♯ Major | 2 | 2B | 103 BPM | ||
| Overture in G Minor: IV. Rondeau | Giuseppe Antonio Brescianello, La Cetra Barockorchester Basel, David Plantier, Vaclav Luks | A♭ Major | 2 | 4B | 131 BPM | ||
| Telemann: Concerto for 2 Flutes and Violone in A Minor, TWV 53:a1: III. Loure | Georg Philipp Telemann, Emmanuel Pahud, Berliner Barock Solisten, Jacques Zoon, Klaus Stoll, Rainer Kussmaul | G Minor | 4 | 6A | 120 BPM | ||
| Suite From Abdelzar: II. Air | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | F♯ Major | 2 | 2B | 92 BPM | ||
| Concerto Grosso in A Minor, Op. 3, No. 2: I. Presto: Adagio | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | C Major | 2 | 8B | 141 BPM |