"Hotel Regina" by John Powell had its release date on June 11, 2002. The duration of This song is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Hotel Regina's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "The Bourne Identity (Original Motion Picture Soundtrack)". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. In terms of popularity, Hotel Regina is currently below average in popularity. Although the overall vibe is very danceable, it does project more negative sounds.
With Hotel Regina by John Powell having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Thank You For Sharing | Éric Serra | B♭ Major | 4 | 6B | 100 BPM | ||
| Making History | Jeff Beal | G Minor | 3 | 6A | 63 BPM | ||
| Where Do These Tubes Go? | Steve Jablonsky | D Major | 3 | 10B | 196 BPM | ||
| The Catch | Christopher Young | A♭ Minor | 1 | 1A | 123 BPM | ||
| Will's Confession | David Julyan | B Minor | 0 | 10A | 101 BPM | ||
| Deportation | Ryan Amon | D♭ Major | 6 | 3B | 130 BPM | ||
| The Washington Game Board | Nicholas Britell | G Minor | 3 | 6A | 135 BPM | ||
| Fatal Weakness | Éric Serra | B♭ Major | 4 | 6B | 95 BPM | ||
| Being Stupid | Andrea Guerra | A Major | 1 | 11B | 104 BPM | ||
| Into The River | David Newman | D Major | 0 | 10B | 70 BPM | ||
| New Strategy | Jeff Russo | A Major | 9 | 11B | 94 BPM | ||
| Set It Up | Daniel Pemberton | B Minor | 7 | 10A | 110 BPM | ||
| Where Is Winston? | Dario Marianelli, Víkingur Ólafsson | G Major | 7 | 9B | 104 BPM | ||
| Major Combat Operations Have Ended | Nicholas Britell | E♭ Major | 2 | 5B | 86 BPM | ||
| Opening Titles | John Powell | E Minor | 3 | 9A | 135 BPM | ||
| Niobe's Run | Don Davis | C Minor | 6 | 5A | 113 BPM | ||
| Kruger Suits Up | Ryan Amon | D♭ Major | 5 | 3B | 100 BPM | ||
| Flat Assault | John Powell, David Buckley | D♭ Major | 4 | 3B | 94 BPM | ||
| On The Rooftops | Ennio Morricone | C Major | 2 | 8B | 144 BPM | ||
| Jason Phones It In | John Powell | D♭ Major | 4 | 3B | 82 BPM | ||
| All the Great Philanthropists of Our Time Are Businessmen | Víctor Reyes | E Minor | 1 | 9A | 115 BPM | ||
| Recognizer - From "TRON: Legacy"/Score | Daft Punk | D♭ Major | 5 | 3B | 104 BPM | ||
| At The Bank | John Powell | F Minor | 4 | 4A | 160 BPM | ||
| The Italian Job | John Powell | C Major | 2 | 8B | 134 BPM | ||
| Tex Mex | Joll-E The Man | C Major | 4 | 8B | 126 BPM |