Bob Dylan's 'Can't Wait - Outtake from 'Time Out Of Mind' Sessions, Version 2' had a release date set for October 7, 2008. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 39 in the song's album "Tell Tale Signs: The Bootleg Series Vol. 8 (Deluxe Edition)". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United States. Based on our statistics, Can't Wait - Outtake from 'Time Out Of Mind' Sessions, Version 2's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Can't Wait - Outtake from 'Time Out Of Mind' Sessions, Version 2 by Bob Dylan having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Samson in New Orleans | Leonard Cohen | D♭ Major | 2 | 3B | 111 BPM | ||
| Space | Marty Stuart And His Fabulous Superlatives, Marty Stuart | G Major | 1 | 9B | 92 BPM | ||
| HEALING | STEVE THE TRAILPLAYER LIVE | E Minor | 3 | 9A | 157 BPM | ||
| Loved So Little | Matt Berninger | E Major | 6 | 12B | 92 BPM | ||
| The Whole Night Sky - Alternate Version | Bruce Cockburn | F Major | 2 | 7B | 123 BPM | ||
| For the Sake of the Song | Townes Van Zandt | B Major | 1 | 1B | 204 BPM | ||
| Dolphins | Tim Buckley | C Major | 4 | 8B | 107 BPM | ||
| Can´t Stop Laughing | Andi Almqvist | E Minor | 3 | 9A | 157 BPM | ||
| Love Sick | Bob Dylan | B Minor | 3 | 10A | 73 BPM | ||
| All The Lilacs In Ohio | John Hiatt, Jerry Douglas | E♭ Major | 4 | 5B | 81 BPM | ||
| Gallop on the Run | Bob Weir | A Major | 6 | 11B | 87 BPM | ||
| Born In Time - Outtake from 'Oh Mercy' sessions | Bob Dylan | E Major | 5 | 12B | 176 BPM | ||
| Holy Rollers For Love | Jakob Dylan | E Major | 4 | 12B | 128 BPM | ||
| What It Takes | Fred Eaglesmith | D Major | 2 | 10B | 180 BPM | ||
| All Nights, All Days | Yusuf / Cat Stevens | G Minor | 3 | 6A | 119 BPM | ||
| You Are Not Needed Now | Townes Van Zandt | D Major | 3 | 10B | 136 BPM | ||
| The Least That I Can Do | Ron Sexsmith | F♯ Major | 5 | 2B | 131 BPM | ||
| Fine Memory | Bob Seger | G Major | 3 | 9B | 151 BPM | ||
| The Man I've Always Been | Craig Finn | E Major | 5 | 12B | 130 BPM | ||
| When The Night Was Young | Robbie Robertson | D♭ Minor | 2 | 12A | 83 BPM | ||
| Irish Girl | Mike Campbell & The Dirty Knobs | A Major | 5 | 11B | 91 BPM | ||
| Chain of Flowers | Grinderman | E Major | 6 | 12B | 123 BPM | ||
| Mama You've Been on My Mind - Demo | George Harrison | A Major | 2 | 11B | 99 BPM | ||
| Pontchartrain | Anders Osborne | D♭ Major | 0 | 3B | 126 BPM | ||
| Natural Information | Bill Callahan | E♭ Major | 4 | 5B | 92 BPM |