"Canción de Cuna" by John C. Williams had its release date on 1988. With this song being around four minutes long, at 3:49, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 18 in the song's album "Spirit of the Guitar: Music of the Americas". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United States. Canción de Cuna is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Canción de Cuna by John C. Williams having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| For Robin | Agustín Amigó | B♭ Minor | 1 | 3A | 79 BPM | ||
| Hommage à Piazzolla | Roberto Aussel | E♭ Major | 0 | 5B | 78 BPM | ||
| Lament for the Death of His Second Wife | Matthew McAllister | G Major | 0 | 9B | 108 BPM | ||
| María Carolina | Antonio Lauro, John Williams | A Major | 9 | 11B | 107 BPM | ||
| Gnossienne No. 1 (Arr. Roland Dyens for Guitar) | Erik Satie, Arash Ahmadi | E Minor | 0 | 9A | 93 BPM | ||
| Conquistador | Robert Delofeu | G Major | 2 | 9B | 100 BPM | ||
| Los caujaritos | Ignacio "Indio" Figueredo, John C. Williams | E Minor | 1 | 9A | 72 BPM | ||
| 4 Mazurkas : No. 1. Adelita | Norbert Kraft | F♯ Minor | 1 | 11A | 82 BPM | ||
| Aquarelle: II. Valseana | Sergio Assad, Graham Anthony Devine | D Major | 0 | 10B | 102 BPM | ||
| Elegie | J.K. Mertz, Alexandra Whittingham | A Minor | 1 | 8A | 120 BPM | ||
| Aire vasco, Op. 19 | Antonio Jiménez Manjon, Andrea González Caballero | E Minor | 1 | 9A | 108 BPM | ||
| Danza di cala luna | Horacio Salinas, John C. Williams, Paco Peña, Inti-Illimani | F♯ Major | 4 | 2B | 110 BPM | ||
| Rasguido Doble | Jorge Cardoso | A Minor | 1 | 8A | 111 BPM | ||
| Castillos de España II: No. 7, Montemayor | Federico Moreno Torroba, Ana Vidović | G Minor | 1 | 6A | 139 BPM | ||
| Bali | Isato Nakagawa | F♯ Major | 2 | 2B | 115 BPM | ||
| Suite populaire Brésilienne, W020: III. Valsa-chôro | Heitor Villa-Lobos, Mickael Viegas | E Minor | 1 | 9A | 101 BPM | ||
| Svalbard | Julyan Brynn | G Minor | 2 | 6A | 85 BPM | ||
| Freedom Song | Per-Olov Kindgren | C Major | 2 | 8B | 79 BPM | ||
| Five Pieces: Si de noche ves qui brillan (Canción) | Vicente Emilio Sojo, John Williams | E Minor | 1 | 9A | 72 BPM | ||
| And I Love Her | Pat Metheny | D Minor | 1 | 7A | 108 BPM | ||
| Sunday Morning Overcast | Andrew York | E Minor | 3 | 9A | 134 BPM | ||
| Chôros No. 1, W161 | Heitor Villa-Lobos, Mickael Viegas | E Minor | 2 | 9A | 93 BPM | ||
| Air on a G String | Richard Mollenbeck | D Major | 1 | 10B | 104 BPM | ||
| Mysterious Barricades | Andrew York | E♭ Major | 3 | 5B | 138 BPM | ||
| Suite del Plata, No. 1: Preludio | Maximo Diego Pujol, Victor Villadangos | D Minor | 0 | 7A | 107 BPM |