On January 1, 1991, the song "I Want You" was released by Satan and Adam. This song is about six minutes long, preciously at 6:03, making this song fairly long compared to other songs. The track order of this song in Satan and Adam's "Harlem Blues" album is number 1 out of 10. On top of that, United States appears to be the country where this track was created. In terms of popularity, I Want You is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of I Want You by Satan and Adam to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Standing In My Doorway Crying | Jessie Mae Hemphill | D Major | 1 | 10B | 73 BPM | ||
| You Was Born to Die | Blind Willie McTell | B Major | 2 | 1B | 145 BPM | ||
| Homesick's Blues | Homesick James | B Major | 4 | 1B | 103 BPM | ||
| 2:19 | John Hammond | G Major | 6 | 9B | 126 BPM | ||
| Pharoah's Kitchen | Col. Bruce Hampton | A♭ Major | 9 | 4B | 129 BPM | ||
| Blues | Terry Callier | G Major | 6 | 9B | 82 BPM | ||
| Mean Old World | T-Bone Walker | C Major | 2 | 8B | 87 BPM | ||
| She Caught the Katy and Left Me a Mule to Ride | Taj Mahal | E♭ Major | 4 | 5B | 207 BPM | ||
| Groovy People | Satan and Adam | G Major | 3 | 9B | 115 BPM | ||
| Too Wet to Plow | Johnny Shines | F Major | 3 | 7B | 184 BPM | ||
| Bonus Boogie | Kim Wilson | B Minor | 8 | 10A | 74 BPM | ||
| The Chicago Way | Toronzo Cannon | E Minor | 9 | 9A | 111 BPM | ||
| Get Your Hand Out Of My Pocket | Sugar Blue | E♭ Major | 5 | 5B | 154 BPM | ||
| Heartbreak | Satan and Adam | C Major | 5 | 8B | 139 BPM | ||
| Don't Get Around Much Anymore | Satan and Adam | F Major | 5 | 7B | 127 BPM | ||
| Please Help | J. B. Hutto | A Major | 6 | 11B | 127 BPM | ||
| C.C. Rider | Satan and Adam | D Minor | 7 | 7A | 114 BPM | ||
| Give Me One Reason | Junior Wells, Sonny Landreth | E Minor | 5 | 9A | 130 BPM | ||
| Wah Wah Blues | Earl Hooker | D Major | 3 | 10B | 103 BPM | ||
| Radiator 110 | Boz Scaggs | A Major | 8 | 11B | 92 BPM | ||
| Walking the Back Streets and Crying | John Primer, Bob Corritore | E Major | 6 | 12B | 187 BPM | ||
| Doing Too Much | Ronnie Baker Brooks, 'Big Head' Todd Mohr | A Major | 7 | 11B | 89 BPM | ||
| This Train | Big Bill Broonzy | A♭ Minor | 3 | 1A | 96 BPM | ||
| Lollipop Mama | William Clarke | G Major | 5 | 9B | 91 BPM | ||
| Don't Call No Ambulance | Selwyn Birchwood | D Major | 9 | 10B | 101 BPM |