Edward Elgar, Sir Colin Davis, London Symphony Orchestra's 'Enigma Variations: Variation V. R.P.A - Moderato' had a release date set for June 5, 2007. The duration of This song is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Enigma Variations: Variation V. R.P.A - Moderato's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 16 in Elgar: Enigma Variations, Introduction & Allegro by Edward Elgar, London Symphony Orchestra, Sir Colin Davis. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Enigma Variations: Variation V. R.P.A - Moderato is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Enigma Variations: Variation V. R.P.A - Moderato by Edward Elgar, Sir Colin Davis, London Symphony Orchestra is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rodeo: No. 4, Saturday Night Waltz | Aaron Copland, Colorado Symphony, Andrew Litton | E♭ Major | 0 | 5B | 68 BPM | ||
| Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 149 BPM | ||
| La damoiselle élue, CD 69a: Beginning | Claude Debussy, London Symphony Orchestra, Claudio Abbado | D Minor | 0 | 7A | 72 BPM | ||
| Symphony No. 2, Op. 30 "Romantic": II. Andante con tenerezza | Howard Hanson, Seattle Symphony Orchestra, Gerard Schwarz | F Major | 1 | 7B | 138 BPM | ||
| Schumann: Symphony No. 3 in E-Flat Major, Op. 97, Rhenish: IV. Feierlich | Robert Schumann, San Francisco Symphony, Michael Tilson Thomas | E♭ Minor | 1 | 2A | 62 BPM | ||
| Symphony No. 4 in A Minor, Op. 63: IV. Allegro | Jean Sibelius, Sir Colin Davis, London Symphony Orchestra | G Major | 0 | 9B | 117 BPM | ||
| Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation V. R.P.A. | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | C Minor | 1 | 5A | 79 BPM | ||
| A Somerset Rhapsody, Op. 21 No. 2, H. 87 | Gustav Holst, Richard Hickox, London Symphony Orchestra | B Minor | 0 | 10A | 98 BPM | ||
| Cello Concerto: II. Allegro appassionato | William Walton, Yo-Yo Ma, André Previn, London Symphony Orchestra | E Minor | 1 | 9A | 140 BPM | ||
| Nocturnes, L. 91: II. Fêtes (Arr. by Denis Herlin) | Claude Debussy, Denis Herlin, Hallé, Sir Mark Elder | A Major | 0 | 11B | 88 BPM | ||
| Symphony No. 5 in D Minor, Op. 47: III. Largo | Dmitri Shostakovich, Gianandrea Noseda, London Symphony Orchestra | C Major | 0 | 8B | 138 BPM | ||
| Valses nobles et sentimentales, M.61: 3. Modéré | Maurice Ravel, Cleveland Orchestra, Pierre Boulez | G Major | 0 | 9B | 89 BPM | ||
| Symphony No. 8 in G Minor, Op. 88, B. 163: II. Adagio | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | C Major | 0 | 8B | 54 BPM | ||
| Britten: Four Sea Interludes from Peter Grimes, Op. 33a: No. 4, Storm | Benjamin Britten, André Previn, London Symphony Orchestra | E Major | 4 | 12B | 101 BPM | ||
| Symphony No. 7 in C Major, Op. 105: Adagio | Jean Sibelius, Berliner Philharmoniker, Sir Simon Rattle | C Major | 0 | 8B | 78 BPM | ||
| Rapsodie espagnole, M. 54: III. Habanera | Maurice Ravel, London Symphony Orchestra, Claudio Abbado | B Major | 0 | 1B | 119 BPM | ||
| Legende | Frederick Delius, Andrew Davis, BBC Philharmonic, Tasmin Little | A♭ Major | 1 | 4B | 89 BPM | ||
| Delius: Irmelin Prelude | Frederick Delius, Sir John Barbirolli, London Symphony Orchestra | D Major | 1 | 10B | 87 BPM | ||
| Irmelin Prelude | Frederick Delius, London Symphony Orchestra, Sir John Barbirolli | F♯ Major | 0 | 2B | 96 BPM | ||
| Pulcinella Suite: I. Sinfonia | Igor Stravinsky, Tapiola Sinfonietta, Masaaki Suzuki | G Major | 0 | 9B | 91 BPM | ||
| Carnival of the Animals: XIV. Finale | Camille Saint-Saëns, Barry Wordsworth, London Symphony Orchestra | C Major | 3 | 8B | 94 BPM | ||
| Fountains of Rome, P. 106: II. The Triton Fountain in the Morning | Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 74 BPM | ||
| Violin Concerto in D Major, Op. 61: III. Rondo. Allegro | Hilary Hahn, David Zinman, Baltimore Symphony Orchestra | D Major | 1 | 10B | 81 BPM | ||
| Masquerade - Ballet Suite: 2. Nocturne | Aram Khachaturian, John Georgiadis, London Symphony Orchestra, Stanley Black | A Major | 0 | 11B | 111 BPM | ||
| Mother Goose: V. Petit Poucet | Maurice Ravel, Barry Wordsworth, London Symphony Orchestra | C Minor | 0 | 5A | 96 BPM |