"Ellis Dee - Stoked Remix" by David Hopper, Stoked had its release date on November 21, 2016. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 3 in Ellis Dee by David Hopper. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. Based on our statistics, Ellis Dee - Stoked Remix's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Ellis Dee - Stoked Remix by David Hopper, Stoked is Allegro (fast, quick, and bright), since this song has a tempo of 126 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Skazaniye o nevidimom grade Kitezhe i deve Fevronii (Legend of the Invisible City of Kitezh and the Maiden Fevroniya): Prelude. In praise of the wilderness | Nikolai Rimsky-Korsakov, Mikhail Kazakov, Vitaly Panfilov, Tatiana Monogarova, Mikhail Gubsky, Gevorg Hakobyan, Marika Gulordava, Riccardo Ferrari, Stefano Consolini, Valery Gilmanov, Alexander Naumenko, Rosanna Savoia, Elena Manistina, Cagliari Theatre C | B Minor | 0 | 10A | 102 BPM | ||
| Fountains of Rome, P. 106: II. The Triton Fountain in the Morning | Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 74 BPM | ||
| Raymonda, Act I: Coda | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | F Major | 2 | 7B | 80 BPM | ||
| Pelléas et Mélisande, CD 93, Suite (Arr. Leinsdorf): IV. Act V. Opening - Conclusion | Claude Debussy, Berliner Philharmoniker, Claudio Abbado | F♯ Major | 0 | 2B | 126 BPM | ||
| The Rite of Spring (Scenes of Pagan Russia in Two Parts): Part Two - Mystic Circles of the Young Girls (1921 Version) | Igor Stravinsky, Leonard Bernstein, London Symphony Orchestra | F♯ Minor | 0 | 11A | 59 BPM | ||
| Peter and the Wolf, Op. 67: III. The Bird | Wiener Opernorchester | A♭ Major | 1 | 4B | 82 BPM | ||
| Eine Alpensinfonie, Op.64, TrV 233: 5. Wanderung neben dem Bache | Richard Strauss, David Bell, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 1 | 4B | 103 BPM | ||
| Die Walküre: Magic Fire Music | Richard Wagner, George Szell, Cleveland Orchestra | G Major | 2 | 9B | 80 BPM | ||
| Piano Concerto No. 1, Op. 45: I. Con grandezza | Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu | G Major | 1 | 9B | 70 BPM | ||
| 24 Preludes & Fugues, Op. 87: Prelude no.1 in C major. Moderato | Dmitri Shostakovich, Alexander Melnikov | B♭ Major | 0 | 6B | 82 BPM | ||
| Stolze & Tchaikovsky: Onegin: Opening Scene - Dance of the Young Girls (After Eugen Onegin, Op. 24) | Kurt-Heinz Stolze, Pyotr Ilyich Tchaikovsky, John Lanchbery, Sydney Symphony Orchestra | E♭ Major | 0 | 5B | 118 BPM | ||
| Mayskaya noch' (May Night): Overture | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | A Minor | 1 | 8A | 78 BPM | ||
| Variations on a theme of Frank Bridge, Op.10: 7. Wiener Waltzer | Benjamin Britten, English Chamber Orchestra | C Major | 1 | 8B | 98 BPM | ||
| The Red Pony Suite: II. The Gift | Aaron Copland, Buffalo Philharmonic Orchestra | A Major | 1 | 11B | 90 BPM | ||
| Petrouchka: Valse la ballerine et le maure | Ferenc Fricsay, Berliner Philharmoniker | F♯ Major | 3 | 2B | 149 BPM | ||
| Le Carnaval des Animaux: Grand Fantaisie Zoologique: XI. Pianistes | Camille Saint-Saëns, Leonard Bernstein, New York Philharmonic | C Major | 2 | 8B | 102 BPM | ||
| Empty Abyss | Orithia | A Minor | 0 | 8A | 76 BPM | ||
| Nursery Suite: II. The Serious Doll | Edward Elgar, Paul Goodwin, English Chamber Orchestra, William Bennett | F Major | 0 | 7B | 81 BPM | ||
| Ancient Airs & Dances, Suite I, P. 109: II. Gagliarda (V. Galileo) | Ottorino Respighi, Boston Symphony Orchestra, Seiji Ozawa | D Major | 1 | 10B | 93 BPM | ||
| Trout Quintet: Finale | Franz Schubert, Boris Berezovsky, Soloists of the Royal Opera House Orchestra, Covent Garden, Vasko Vassiliev, Andrew Staples, Christopher Vanderspar, Tony Hougham | E♭ Major | 0 | 5B | 75 BPM | ||
| Gayaneh: Gayaneh's Adagio | Aram Khachaturian, Wiener Philharmoniker | A♭ Major | 0 | 4B | 82 BPM | ||
| Spartacus, Act I: March of the gladiators and the Egyptian dancing girl (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | A Major | 1 | 11B | 62 BPM | ||
| Emeralds - Faure: Incidental music to Pelleas et Melisande, Op. 80 and Shylock, Op. 57; Pelleas et Melisande - Fileuse: Andantino quasi Allegretto | Gabriel Fauré, NEW YORK CITY BALLET ORCHESTRA/ROBERT IRVING, CONDUCTOR | G Major | 0 | 9B | 142 BPM | ||
| Symphony in C Major, Op. 46: II. Sehr langsam - | Hans Pfitzner, Seattle Symphony Orchestra, Gerard Schwarz | F Major | 0 | 7B | 87 BPM | ||
| Daphnis et Chloé, M. 57, Pt. 1: VI. Nocturne. Danse lente et mystérieuse des Nymphes | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | F Minor | 0 | 4A | 78 BPM |