Sonata No. 3 in A Major, Op. 4: III. Sarabanda. Largo by Arcangelo Corelli, Rémy Baudet, Sayuri Yamagata, Albert Brüggen, Mike Fentross, Pieter-Jan Belder Song Details

Arcangelo Corelli, Rémy Baudet, Sayuri Yamagata, Albert Brüggen, Mike Fentross, Pieter-Jan Belder's 'Sonata No. 3 in A Major, Op. 4: III. Sarabanda. Largo' had a release date set for 2010. The duration of This song is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Sonata No. 3 in A Major, Op. 4: III. Sarabanda. Largo's duration is considered a little bit shorter than the average duration of a typical track. The song is number 169 out of 336 in Corelli: Complete Edition by Arcangelo Corelli, Musica Amphion, Rémy Baudet, Pieter-Jan Belder. Sonata No. 3 in A Major, Op. 4: III. Sarabanda. Largo is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of Sonata No. 3 in A Major, Op. 4: III. Sarabanda. Largo by Arcangelo Corelli, Rémy Baudet, Sayuri Yamagata, Albert Brüggen, Mike Fentross, Pieter-Jan Belder is Adagio (slowly with great expression), since this song has a tempo of 68 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Music Key

G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -19.273 dB
Acousticness: 92%
Danceability: 21%
Energy: 14%
Instrumentalness: 0%
Liveness: 22%
Loudness: 68%
Speechiness: 4%
Valence: 32%

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