Nate Fifield's 'Attention (Stretch Version)' had a release date set for August 28, 2020. The duration of This song is about 3 minutes long, at 3:14. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 17 out of 30 in Ballet Class Pop Hits, Vol. 5 by Nate Fifield. Going off of the ISRC code of this track, we detected that the origin of this track is from Turks and Caicos Islands. Based on our statistics, Attention (Stretch Version)'s popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Attention (Stretch Version) by Nate Fifield is Allegro (fast, quick, and bright), since this song has a tempo of 140 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| First Pirouette (Czardas) | Douglas Schultz | D Minor | 1 | 7A | 98 BPM | ||
| Pliés 3/4 (The Sleeping Beauty) | Eun S. Kim | C Major | 1 | 8B | 111 BPM | ||
| Plié: Fortnight | Trisha Wolf | A Minor | 3 | 8A | 160 BPM | ||
| Guren no Yumiya (from "Attack on Titan" Opening 1) - Piano Version | Elesky | E Major | 3 | 12B | 159 BPM | ||
| Music for Ballet Class, Series 1: Adage 1 | Massimiliano Greco | D♭ Minor | 5 | 12A | 180 BPM | ||
| Warm up (You Make Me Feel) | Christopher N Hobson | A Major | 1 | 11B | 110 BPM | ||
| We Don't Talk Anymore (Stretch) | Nate Fifield | D♭ Minor | 1 | 12A | 77 BPM | ||
| Plies (3/4:64): 不思議の国のアリス | Oliver Wallace, 稲葉智子 | E Major | 2 | 12B | 97 BPM | ||
| Demi Plié, Grand Plié, Relevé, Port de Bras. Metre 3/4 | Vadim Proshich, MetodoVadim | G Major | 1 | 9B | 122 BPM | ||
| Tendus Slow from 1st (Barre Technique) | David Howard, Douglas Corbin | A Minor | 0 | 8A | 75 BPM | ||
| Demi Plié, Grand Plie, Port De Bras. Metre 4/4. | Vadim Proshich, MetodoVadim | D Major | 4 | 10B | 136 BPM | ||
| Pirouette 1 3x4 | Jorge L. Martínez | D Major | 1 | 10B | 94 BPM | ||
| The Model - Piano Version | Henry Smith | E♭ Major | 0 | 5B | 123 BPM | ||
| Tomorrow (From "Annie") Stretch | Ray Lindsey | F Major | 1 | 7B | 75 BPM | ||
| Ronds de jambs a terre x 2 3/4 | Debbi Parks and Norman Higgins | C Major | 1 | 8B | 125 BPM | ||
| Pirouettes (Carmen by G. Bizet) | G. Bizet, 신나래 | G Major | 3 | 9B | 76 BPM | ||
| Tendus Glisses & Piques Jazzy Rag 2/4 | Debbi Parks | G Major | 1 | 9B | 100 BPM | ||
| Someone in the Crowd (Jumps) [Quick Tempo] | David Plumpton | E♭ Major | 2 | 5B | 102 BPM | ||
| The Boy Is Mine (fondu) | Nate Fifield | G Minor | 2 | 6A | 102 BPM | ||
| In Spring in F Major, Op.43: No. 2, Not the Wind, Blowing from the Heights - Plie | Konstantin Mortensen | F Major | 1 | 7B | 80 BPM | ||
| Sequence (Plie) | Josu M Gallastegui, Josu Gallastegui | C Major | 2 | 8B | 95 BPM | ||
| Adagio | Adrienne Ramm | D Major | 2 | 10B | 110 BPM | ||
| Battements Glissés 6/8: The Band Played On | Margot Kazimirska | G Major | 3 | 9B | 148 BPM | ||
| Grand Jeté | Robin Rhodin | A Minor | 2 | 8A | 101 BPM | ||
| Umbrella (Frappé) | Nate Fifield | D Major | 2 | 10B | 81 BPM |