"Phone Call To Billie" by Elliot Goldenthal had its release date on January 1, 2009. With This song being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 16 in the song's album "Public Enemies". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. Phone Call To Billie is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Phone Call To Billie by Elliot Goldenthal having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ghostly hope | AI Creations | E Major | 3 | 12B | 78 BPM | ||
| Regreso a Venezuela | Gustavo Dudamel, Simón Bolívar Symphony Orchestra Of Venezuela, Pedro Eustache | C Major | 1 | 8B | 131 BPM | ||
| Desplat: Griet's Theme - Reprise | Pro Arte Orchestra Of London, Michael Davis, Alexandre Desplat | F Minor | 2 | 4A | 56 BPM | ||
| Compliance Theme | Heather McIntosh | G Minor | 3 | 6A | 138 BPM | ||
| Les saisons | Christophe Julien | D Minor | 1 | 7A | 130 BPM | ||
| Seriously | Dario Marianelli | F Minor | 2 | 4A | 130 BPM | ||
| Pan's Labyrinth Lullaby | Javier Navarrete | C Minor | 1 | 5A | 71 BPM | ||
| Desh: Honey Bee Story | Natacha Atlas, Jocelyn Pook, Lalon Shah, Melanie Pappenheim, Sohini Alam, Jeremy Schonfield, Tanja Tzarovska, Leesa Gazi, Labik Kamal, Sophie Harris, Dragan Aleksic, Bulgarian Orchestra | E Minor | 2 | 9A | 132 BPM | ||
| Terra incognita | Armand Amar | A Minor | 1 | 8A | 85 BPM | ||
| Nothing Lasts | Alexandre Desplat | G Minor | 1 | 6A | 115 BPM | ||
| Pokinoi | Cirque du Soleil | D Minor | 3 | 7A | 116 BPM | ||
| The Ghost Pavane | Christopher Young | F Minor | 0 | 4A | 109 BPM | ||
| The Father | Johan Söderqvist | E Minor | 1 | 9A | 91 BPM | ||
| La Cavalera | Elliot Goldenthal | B♭ Major | 5 | 6B | 115 BPM | ||
| The Fairy & The Labyrinth | Javier Navarrete | F♯ Major | 2 | 2B | 70 BPM | ||
| The Sundown - 2004 Remaster | Ennio Morricone | E Minor | 1 | 9A | 47 BPM | ||
| Long, Long Time Ago | Javier Navarrete | A Minor | 1 | 8A | 80 BPM | ||
| Flicking Through Time | Éric Serra | G Minor | 2 | 6A | 90 BPM | ||
| The Heroic Weather-Conditions of the Universe, Part 1: A Veiled Mist | Alexandre Desplat | G Minor | 2 | 6A | 150 BPM | ||
| Philimelagram - Instrumental | Cesare Andrea Bixio, Elliot Goldenthal, Steven Mercurio, Jonathan Sheffer, London Metropolitan Orchestra, The Mask Orchestra | A♭ Major | 0 | 4B | 67 BPM | ||
| The Affair | Dickon Hinchliffe | G Minor | 2 | 6A | 139 BPM | ||
| Time For Bed | Dario Marianelli | A Minor | 0 | 8A | 78 BPM | ||
| Mr. Moustafa | Alexandre Desplat | F Major | 3 | 7B | 150 BPM | ||
| To The Edge Of The Earth | Michael Nyman | A Minor | 2 | 8A | 100 BPM | ||
| Walk to School | Philip Glass, Paul Leonard-Morgan | A Minor | 0 | 8A | 170 BPM |