"Valerie" by Fae Wildling had its release date on May 15, 2024. This song is about six minutes long, preciously at 5:43, making this song fairly long compared to other songs. There are a total of 8 in the song's album "Once upon a Broken Heart Instrumental". In this album, this song's track order is #6. Valerie is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Valerie by Fae Wildling having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Queen of Faerieland | James Newton Howard | B♭ Major | 1 | 6B | 115 BPM | ||
| Unknown Shores | Elryon | C Major | 3 | 8B | 82 BPM | ||
| The Stone Table | Harry Gregson-Williams | G Minor | 2 | 6A | 99 BPM | ||
| Lullaby of the Faerie Dragon | The Eternal Orchestra | D Minor | 3 | 7A | 66 BPM | ||
| Shades of Cool | Antonin Charvat | E♭ Minor | 2 | 2A | 77 BPM | ||
| The Mortal Cup | Atli Örvarsson | D Minor | 2 | 7A | 66 BPM | ||
| Portrait of a Courtesan | Kerry Muzzey, The Chamber Orchestra Of London, Andrew Skeet | B♭ Minor | 2 | 3A | 111 BPM | ||
| Black Beauty Orchestral Cover | Robbie Devine | F Major | 5 | 7B | 109 BPM | ||
| Arrival at Thornfield Hall (feat. Jack Liebeck) | Dario Marianelli, Jack Liebeck, Benjamin Wallfisch | E Minor | 1 | 9A | 80 BPM | ||
| Reawakening | Zoltán Tamasi | D♭ Major | 0 | 3B | 93 BPM | ||
| Midnight in the Garden | Atli Örvarsson | F Major | 1 | 7B | 107 BPM | ||
| The Night We Met | Asiancellodude | G Major | 1 | 9B | 173 BPM | ||
| Asar and Mische's Dream (The Fallen and the Kiss of Dusk) | Lindsay Dills | D Minor | 3 | 7A | 70 BPM | ||
| Forest Feelings | John Powell, Stephen Schwartz | F Major | 6 | 7B | 131 BPM | ||
| Nicky | Christophe Beck, Michael Paraskevas | G Minor | 2 | 6A | 160 BPM | ||
| Ambre | Kirsten Agresta Copely | D Major | 0 | 10B | 76 BPM | ||
| Days in the Sun | Sam Yung | B♭ Major | 2 | 6B | 111 BPM | ||
| Lost In Darkness And Distance | Amelia Warner | F Major | 3 | 7B | 106 BPM | ||
| A&W | Antonin Charvat | E♭ Major | 2 | 5B | 71 BPM | ||
| 1996 | Kelsey Woods | D Major | 2 | 10B | 94 BPM | ||
| Sea's End, Earth's Bottom | Sophia Damore | B♭ Minor | 1 | 3A | 88 BPM | ||
| Lyra's Jordan | Lorne Balfe | C Minor | 3 | 5A | 109 BPM | ||
| The White Witch | Harry Gregson-Williams | A♭ Major | 1 | 4B | 79 BPM | ||
| I See the Light | Fairy Lullaby | F Minor | 0 | 4A | 66 BPM | ||
| An Unstable Throne | Alstad | D♭ Minor | 2 | 12A | 187 BPM |