- BPM
- 78
- Key
- B♭ Major
- Camelot
- 6B
Fate (Reprise) by Donald Maxwell, Philharmonia Orchestra Song Details
"Fate (Reprise)" by Donald Maxwell, Philharmonia Orchestra had its release date on May 27, 1997. The duration of This song is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Fate (Reprise)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Original Studio Cast's "Kismet (First Complete Recording All Star Cast)" album is number 5 out of 32. On top of that, United Kingdom appears to be the country where this track was created. Fate (Reprise) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
We consider the tempo marking of Fate (Reprise) by Donald Maxwell, Philharmonia Orchestra to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Music Key
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -12.619 dB
- Acousticness
- 66%
- Danceability
- 30%
- Energy
- 51%
- Instrumentalness
- 33%
- Liveness
- 68%
- Loudness
- 79%
- Speechiness
- 7%
- Valence
- 12%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Das Lied von der Erde: II. Der Einsame im Herbst. Etwas schleichend. Ermüdet | Gustav Mahler, Les Siècles, François-Xavier Roth, Marie-Nicole Lemieux | E Minor | 1 | 9A | 83 BPM | |
 | Rossini: Petite messe solennelle: XII. Et vitam ventur saeculi | Gioachino Rossini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Daniele Rossi, Orchestra dell'Accademia Nazionale di Santa Cecilia | D♭ Major | 4 | 3B | 93 BPM | |
 | Carmen / Act 1: Et la garde descendante | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan, Schöneberger Sängerknaben, Walter Hagen-Groll | D Minor | 1 | 7A | 121 BPM | |
 | Tom Jones: Act II: Song: Love maketh the heart a garden fair (Sophia, Chorus) | Edward German, Marianne Hellgren Staykov, Richard Morrison, Heather Shipp, Donald Maxwell, Simon Butteriss, Richard Suart, Gaynor Keeble, Giles Davies, Paul Carey Jones, Ashley Bremner, Catrine Kirkman, Rachel Harland, Elizabeth Menezes, Iestyn Morris, Timothy Ochala-Greenough, Rachel Chapman, Karen Wise, Annette Stein, National Festival Chorus, National Festival Orchestra, David Russell Hulme | G Minor | 0 | 6A | 69 BPM | |
 | Towards the Pinnacle, Poem for Soprano & Orchestra, Pt. 2 (Live) | Maya Badian, Romanian National Radio Orchestra, Emilia Petrescu | D Major | 6 | 10B | 110 BPM | |
 | Orff: Carmina Burana, Pt. 3, Cour d'amours: Dies, nox et omnia | Carl Orff, Janice Watson, James Bowman, Donald Maxwell, Bournemouth Symphony Chorus, Waynflete Singers, Highcliffe Junior Choir, Bournemouth Symphony Orchestra, David Hill | D Major | 0 | 10B | 74 BPM | |
 | Messa di Gloria: Cum Sancto Spiritu | Giacomo Puccini, Gunnar Lundberg, Antonello Palombi, Hungarian Radio Chorus, Hungarian Operetta Orchestra, Pier Giorgio Morandi | F♯ Minor | 0 | 11A | 97 BPM | |
 | The Dream of Gerontius, Op. 38, Part II: No. 8, The mind bold and independent (Demons) | Edward Elgar, Edward Gardner, London Philharmonic Orchestra, London Philharmonic Choir, Hallé Choir | D Major | 2 | 10B | 86 BPM | |
 | The Creation, Hob.XXI,2: Pt. 1, In the Beginning | Joseph Haydn, Handel and Haydn Society, Jeremy Ovenden, Matthew Brook, Harry Christophers | B♭ Minor | 0 | 3A | 103 BPM | |
| Tom Jones: Act I: Madrigal Quartet: Here's a paradox for lovers (Sophia, Honour, Tom, Allworthy) | Edward German, Marianne Hellgren Staykov, Richard Morrison, Heather Shipp, Donald Maxwell, Simon Butteriss, Richard Suart, Gaynor Keeble, Giles Davies, Paul Carey Jones, Ashley Bremner, Catrine Kirkman, Rachel Harland, Elizabeth Menezes, Iestyn Morris, Timothy Ochala-Greenough, Rachel Chapman, Karen Wise, Annette Stein, National Festival Chorus, National Festival Orchestra, David Russell Hulme | F Minor | 1 | 4A | 140 BPM | |
 | La Giaconda, Act 2, The Rosary: Sailors' Song "Ho! He! Ho! He!" (Sailors, Boys, Barnaba, Pilot) - "Recitative and Barcarolle "Pescator, affonda l'esca" [Barnaba, Pilot, Sailors, Boys] | Amilcare Ponchielli, Angelo Nardinocchi, Massimiliano Travagliati, Coro di Voci Bianche del Teatro “Giuseppe Verdi” di Salerno, Silvana Noschese, Coro del Teatro dell'Opera di Salerno, Luigi Petrozziello, Orchestra Filarmonica Salernitana “Giuseppe Verdi”, Yishai Steckler | F Major | 2 | 7B | 99 BPM | |
 | Humperdinck : Hänsel und Gretel : Act 3 "Mir ist so wohl, ich weiss nicht wie!" [Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | A♭ Major | 0 | 4B | 116 BPM | |
 | Ka | Baksman | G Minor | 3 | 6A | 81 BPM | |
 | Gounod: Messe solennelle de Sainte Cécile: VIII. Domine salvum | Charles Gounod, Georges Prêtre, Nouvel Orchestre Philharmonique de Radio France | G Major | 1 | 9B | 85 BPM | |
 | Massenet: Don Quichotte, Act 1: "Dulcinée est certes jolie" (Rodriguez, Juan) | Jules Massenet, Orchestre Du Capitole De Toulouse - Christian Papis - Michel Plasson - Nicolas Rivenq, Christian Papis, Nicolas Rivenq, Michel Plasson, Orchestre National Du Capitole De Toulouse | G Minor | 0 | 6A | 78 BPM | |
 | Hornpipe for Double Bass and Piano | Alfred Reynolds, Miranda Keys, Donald Maxwell | D Minor | 3 | 7A | 75 BPM | |
 | Bizet: Les pêcheurs de perles, Act 1: "Ô Dieu Brahma !" (Leïla, Nadir, Chœur) | Georges Bizet, Pierre Dervaux, Chœur du Théâtre National de l’Opéra-Comique, Janine Micheau, Nicolai Gedda, Orchestre du Theatre National de IOpera-Comique | F Major | 0 | 7B | 65 BPM | |
 | Carmen / Act 3: "Je dis que rien ne m'épouvante" | Georges Bizet, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | E♭ Major | 1 | 5B | 128 BPM | |
 | Die Zauberflöte, K. 620, Act II No. 18: Chor der Priester - O, Isis und Osiris, welche Wonne! | Wolfgang Amadeus Mozart, Wilfried Gahmlich, Anna Gonda, Hungarian Festival Chorus, Budapest Failoni Chamber Orchestra, Michael Halasz, Hellen Kwon, Lotte Leitner, Herbert Lippert, Elizabeth Norberg-Schulz, Kurt Rydl, Georg Tichy, Julia Faulkner, Waltraud Winsauer | D Major | 1 | 10B | 170 BPM | |
 | Bolivar, Op. 236: Berceuse | Darius Milhaud, Orchestre De La Société Des Concerts Du Conservatoire, Janine Micheau | B Minor | 2 | 10A | 84 BPM | |
 | Kyrie | Juergen Budday | A♭ Major | 1 | 4B | 101 BPM | |
 | Cilea: L'arlesiana, Act 2: "Ah! Vieni con me sui monti" (Baldassarre, Federico) | Francesco Cilea, Charles Rosekrans, Barry Anderson, Péter Kelen, Hungarian State Orchestra | B Major | 0 | 1B | 82 BPM | |
 | Mussorgsky: Boris Godunov, Act 1: Drinking Song. "Kak vo gorode bylo vo Kazani" (Varlaam, Grigoriy, Misail) | Modest Mussorgsky, Issay Dobrowen, André Bielecki, Boris Christoff, Nicolai Gedda, Orchestre National Radiodiffusion Française | E♭ Major | 1 | 5B | 88 BPM | |
 | Petite messe solennelle: Quoniam | Gioachino Rossini, Orchestre de chambre de Paris, Ottavio Dantone, Alexander Vinogradov | A Major | 2 | 11B | 124 BPM | |
 | Manon Lescaut / Act 4: Tutta su me ti posa | Giacomo Puccini, Luciano Pavarotti, Mirella Freni, Metropolitan Opera Orchestra, James Levine | B Minor | 0 | 10A | 77 BPM |
- ISRC
- GBDGA0604044
- Label
- L-M Records/RCA Records