Begum Akhtar's ' "Mere Humnafas Mere Humnava" was released on its scheduled release date, May 4, 2022. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 32 in the song's album "The Forgotten Ghazals Vol - 10". In this album, this song's track order is #22. Furthermore, we believe that the track originated from India. Based on our statistics, Mere Humnafas Mere Humnava's popularity is below average in popularity right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Mere Humnafas Mere Humnava by Begum Akhtar having a BPM of 156 with a half-time of 78 BPM and a double-time of 312 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 3/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Meri Yaad Mein Tum Na Ansoo Bahana | Talat Mahmood | G Minor | 3 | 6A | 142 BPM | ||
| Chandi Jaisa Rang Hai | Pankaj Udhas | A Major | 7 | 11B | 77 BPM | ||
| The Making Of Main Yahaan Hoon | Madan Mohan, Udit Narayan, Javed Akhtar | E Minor | 7 | 9A | 85 BPM | ||
| Mohabbat Karne Wale (Live) | Farida Khanum | A Major | 4 | 11B | 133 BPM | ||
| Kaheen Do Dil Jo Mil Jaate | Sara Raza, Ali Abbas | A♭ Major | 4 | 4B | 102 BPM | ||
| Humne Duniya | Maahirii Bose | A♭ Major | 3 | 4B | 105 BPM | ||
| Chalo Ek Baar Phir Se | Mahendra Kapoor, Sahir Ludhianvi | F Minor | 2 | 4A | 92 BPM | ||
| Tanha Na Apna | Chandan Dass | D♭ Major | 6 | 3B | 112 BPM | ||
| Mehfil barkhaast hui | Kavita Seth | C Major | 4 | 8B | 140 BPM | ||
| Woh Humsafar Tha | Abida Parveen | E♭ Major | 5 | 5B | 105 BPM | ||
| Aye Sanam Tujhse Main | Ahmed Hussain, Mohammed Hussain | A Minor | 5 | 8A | 131 BPM | ||
| Yeh Nayan Dare Dare | Hemant Kumar | B♭ Major | 4 | 6B | 87 BPM | ||
| Main Is Umeed Pe | Chandan Dass | A Major | 5 | 11B | 105 BPM | ||
| Main Hawa Hoon Kahan Watan Mera | Ahmed Hussain, Mohammed Hussain | G Minor | 4 | 6A | 130 BPM | ||
| Na Ja Balam Pardesawa: Thumri In Raag Bhairavi | Shubha Mudgal | D♭ Minor | 5 | 12A | 108 BPM | ||
| Baat Niklegi To Phir Door Talak (Nazm) | Jagjit Singh | B♭ Major | 2 | 6B | 119 BPM | ||
| Khelun Piya Sang Hori | Ajoy Chakrabarty | F♯ Major | 5 | 2B | 156 BPM | ||
| Har Ek Baat | Sanjay Leela Bhansali, Pratibha Baghel | A♭ Major | 5 | 4B | 114 BPM | ||
| Nirbhay Nirgun Re Gaoonga (Kabir - Bhajan) | Kumar Gandharva, Vasundhara Komkali | G Major | 3 | 9B | 66 BPM | ||
| Tum Na Jane Kis Jahan Men Kho Gaye | Lata Mangeshkar, S. D. Burman | D♭ Major | 2 | 3B | 78 BPM | ||
| Laga Chunari Men Daag | Manna Dey, Roshan | A♭ Minor | 7 | 1A | 84 BPM | ||
| Beeti Na Bitai Raina | Lata Mangeshkar, Bhupinder Singh, R. D. Burman | E Major | 4 | 12B | 91 BPM | ||
| Sham-E-Gham Ki Qasam | Talat Mahmood | F Major | 1 | 7B | 116 BPM | ||
| Main Khuda Hi Apni Talaash Mein Hoon | Osman Mir | E♭ Minor | 5 | 2A | 105 BPM | ||
| Aye Mohabbat Tere Anjam Pe (Ghazal) | Begum Akhtar | D♭ Minor | 7 | 12A | 72 BPM |