On May 26, 2003, the song "Mahari Ghumar" was released by Rekha Rao. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Rekha Rao, Pramesh Premi's "Kota Soon To Kagad Aayo" album is number 4 out of 8. On top of that, India appears to be the country where this track was created. Mahari Ghumar is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Mahari Ghumar by Rekha Rao to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Meri Radha Gori Gori | Dhruv Sharma, Swarna Shri | F♯ Minor | 6 | 11A | 168 BPM | ||
| Bhajo Re Man Govinda | Devi Neha Saraswat | B♭ Minor | 7 | 3A | 102 BPM | ||
| Kanha Barsane Mein Aa Jaiyo | Tripti Shakya | F♯ Major | 9 | 2B | 140 BPM | ||
| Radhe Radhe Rato Chale Aayenge Bihari | Sonal Gadhvi | D♭ Major | 9 | 3B | 142 BPM | ||
| Khatu Shyam Tera Naam | Roshan Prince | D Major | 9 | 10B | 120 BPM | ||
| Braj Chaurasi Kos Me | Devi Neha Saraswat | C Major | 5 | 8B | 82 BPM | ||
| Hey Naam Re | Kishan Bhagat, Pankaj Budrani | F♯ Major | 8 | 2B | 150 BPM | ||
| Jag Mein Bada Tera Naam Re | Shahid Mallya, Rekha Rao | E Minor | 8 | 9A | 87 BPM | ||
| Dhola Dhol Manjira Baje Re | Tej Karan Rao, Rekha Rao | F♯ Major | 7 | 2B | 80 BPM | ||
| Mujhko Nandi Bana Le | Shekhar Jaiswal | G Major | 7 | 9B | 90 BPM | ||
| Parbhu Hum Bhi Sharnagat Hai | Devendra Pathak | B♭ Minor | 7 | 3A | 82 BPM | ||
| SONA RA JHANAR BAJANA | Bhagwat Suthar | D♭ Minor | 10 | 12A | 95 BPM | ||
| Sanware Tu Vada Kar - Shyam Bhajan | Sheetal Pandey | C Major | 6 | 8B | 90 BPM | ||
| Chosat Jogani Re - Original | Shyam Paliwal, NA | A Major | 7 | 11B | 141 BPM | ||
| Lagan Tumse Laga Baithe | Shekhar Jaiswal | C Major | 8 | 8B | 105 BPM | ||
| Bhooli Fotu To Khichwale | Tej Karan Rao, Rekha Rao, Yogesh Rao | A♭ Major | 7 | 4B | 107 BPM | ||
| Vo dekho chor hari | Shradey gaurav krishna goswami | D♭ Major | 6 | 3B | 104 BPM | ||
| Mhare Sir Par Hai Baba Ji Ro Hath | Sanju Sharma | C Major | 8 | 8B | 120 BPM | ||
| Murli Bajaiyo Aa Gyo | Chotu Singh Rawna, Neeta Nayak | B Minor | 10 | 10A | 116 BPM | ||
| Kishori Ladli Shyama | Sadhvi Purnima Ji | B♭ Minor | 6 | 3A | 146 BPM | ||
| Gora Gora Gaal Thare | Parmeshwar Premi, Rekha Rao | G Major | 6 | 9B | 170 BPM | ||
| Hey Gurudev Pranam Aapke Charno Mein | Isha Sharma | D♭ Major | 4 | 3B | 81 BPM | ||
| Duniya Se Main Hara To Aaya Tere Dwar | Ankit Pathak | D♭ Major | 9 | 3B | 95 BPM | ||
| Man Mohan Khel Rahe Holi | Gaurav Krishna Goswami | C Major | 9 | 8B | 126 BPM | ||
| Fagun Ka Nazara | Raj Pareek | E♭ Major | 5 | 5B | 178 BPM |