"Escondido (Bonus Track)" by Guillermo Rizzotto, David Degregorio had its release date on January 1, 2008. This song is about six minutes long, preciously at 6:07, making this song fairly long compared to other songs. The song is number 10 out of 13 in Brillo by Guillermo Rizzotto, David de Gregorio. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Escondido (Bonus Track) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Escondido (Bonus Track) by Guillermo Rizzotto, David Degregorio is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cheio de Dedos | Guinga | E Minor | 2 | 9A | 101 BPM | ||
| Tonada | Guillermo Rizzotto, David Pastor, Sílvia Pérez Cruz | F Major | 4 | 7B | 107 BPM | ||
| Baiao | Virginia Morillas | G Major | 2 | 9B | 104 BPM | ||
| Mediterranean Breeze | Gabriel Aldana | A Minor | 2 | 8A | 120 BPM | ||
| 25 Etudes, Op.60: No.13 | Matteo Carcassi, Paco Hallak | A Major | 2 | 11B | 84 BPM | ||
| El Antigal (Instrumental) | Claudio Toro | E Minor | 3 | 9A | 148 BPM | ||
| Chacarera ututa | Juan Falú | E♭ Minor | 1 | 2A | 71 BPM | ||
| Le corde vuote | Maurizio Baudino | A Minor | 1 | 8A | 80 BPM | ||
| Pueblero | Carolina Barenbaum | E Minor | 2 | 9A | 125 BPM | ||
| Ay, Sinó... | Myriam Cubelos, Juancho Perone, Mariano Braun, Guillermo Rizzotto | D Major | 4 | 10B | 145 BPM | ||
| Adios Ayacucho | HUELLA ANDINA | D♭ Minor | 4 | 12A | 92 BPM | ||
| Fantasia X | Luys Milán, Giuseppe Chiaramonte | E Minor | 2 | 9A | 128 BPM | ||
| Vidala del Lapacho | Pedro Rossi | F Minor | 2 | 4A | 142 BPM | ||
| Preguica | Jens-Uwe Popp | D♭ Minor | 0 | 12A | 137 BPM | ||
| Tarde de Janeiro | moacir báia | D Major | 1 | 10B | 124 BPM | ||
| Oriente Urbano | Quique Sinesi | E Major | 2 | 12B | 112 BPM | ||
| An Improvisation to Wish You Farewell | Gerard Cousins | G Major | 4 | 9B | 80 BPM | ||
| Porteña, y nada más | Daniela Calderón, Carlos García | D Minor | 3 | 7A | 108 BPM | ||
| Camino a Lara | Pablo Briceño | E Minor | 0 | 9A | 164 BPM | ||
| Resolana | Susanna Moncayo, Guillermo Rizzotto | D Major | 1 | 10B | 115 BPM | ||
| Libero | Pablo Briceño, Sam Desmet | B Minor | 2 | 10A | 144 BPM | ||
| Ana Luiza | João Moraes, Ricardo Santoro | G Major | 3 | 9B | 84 BPM | ||
| When the White Lilacs Bloom Again (Arr. T. Ippo) | Franz Doelle, Tsuboi Ippo, Sachiko Miyashita | G Major | 4 | 9B | 150 BPM | ||
| Tramonto | Polso Lento | D Major | 1 | 10B | 136 BPM | ||
| Turning Pages | Antonio Forcione, Cenk Erdoğan | G Minor | 1 | 6A | 90 BPM |