Ruth Barrett's 'Boys are Back' had a release date set for December 20, 2019. With this song being around four minutes long, at 4:02, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 17 in the song's album "Sanditon (Original Television Soundtrack)". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Boys are Back's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Boys are Back by Ruth Barrett having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pretty Extraordinary Things | Kevin Smuts | B Minor | 0 | 10A | 93 BPM | ||
| Pilot Ending | Siddhartha Khosla | D Minor | 2 | 7A | 164 BPM | ||
| Haste | August Fenger Janson | A Minor | 2 | 8A | 65 BPM | ||
| Headed For Battle Mountain | Christian Lundberg | B Minor | 1 | 10A | 100 BPM | ||
| Scotland | BBC Scottish Symphony Orchestra | A Minor | 4 | 8A | 67 BPM | ||
| For Queen and Country | Bonnie Grace | G Major | 6 | 9B | 90 BPM | ||
| Royal Archives Heist | Joseph Trapanese, The Budapest Art Orchestra | G Major | 2 | 9B | 145 BPM | ||
| Storybook | Johannes Bornlöf, Jo Wandrini | F♯ Major | 1 | 2B | 159 BPM | ||
| To Olivia | Debbie Wiseman | A Minor | 1 | 8A | 71 BPM | ||
| Most Ardently in Love | Samuel Sim | G Minor | 2 | 6A | 153 BPM | ||
| Stephen and Alessia's Dreams | Nainita Desai | G Major | 1 | 9B | 139 BPM | ||
| Victoria - The Suite | Martin Phipps, Benji Merrison, Mediæval Bæbes | F♯ Minor | 5 | 11A | 153 BPM | ||
| Little Flame | Ruth Barrett | C Minor | 2 | 5A | 70 BPM | ||
| Mission Theme Pt. 2 | Siddhartha Khosla | G Major | 2 | 9B | 140 BPM | ||
| Everytime You Leave | Sonya Belousova, Giona Ostinelli | B Minor | 3 | 10A | 144 BPM | ||
| Revolutionary Road (End Title) | Thomas Newman | A Major | 2 | 11B | 96 BPM | ||
| William I | Debbie Wiseman, National Symphony Orchestra | E Minor | 3 | 9A | 131 BPM | ||
| Poor Miss Taylor | Isobel Waller-Bridge, David Schweitzer | C Major | 2 | 8B | 101 BPM | ||
| Catherine and Harry | Chris Egan, Samuel Sim | B Major | 0 | 1B | 88 BPM | ||
| Inspirational Moment | Evan Jolly | A Minor | 3 | 8A | 77 BPM | ||
| The Golden Chamber | Chris Egan, Samuel Sim | F Minor | 1 | 4A | 118 BPM | ||
| Cause for Concern | Howard Harper-Barnes | B Minor | 3 | 10A | 120 BPM | ||
| Sky Ferry | Alexandre Desplat | E♭ Major | 1 | 5B | 88 BPM | ||
| There She Is | Kevin Smuts | G Major | 0 | 9B | 107 BPM | ||
| Hyper Galaxy | Terry Devine-King | E Major | 5 | 12B | 148 BPM |