Dwight Yoakam's 'Lonesome Roads - Acoustic' had a release date set for May 19, 2000. The duration of This song is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Lonesome Roads - Acoustic's duration is considered a little bit shorter than the average duration of a typical track. The song is number 23 out of 25 in dwightyoakamacoustic.net by Dwight Yoakam. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Lonesome Roads - Acoustic is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Lonesome Roads - Acoustic by Dwight Yoakam is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hank Williams Wouldn't Make It Now in Nashville Tennessee | Eleven Hundred Springs | D Major | 6 | 10B | 91 BPM | ||
| The Pugilist At 59 | Tom Russell | C Major | 5 | 8B | 118 BPM | ||
| Southern Dream | John W Hardin | C Major | 4 | 8B | 117 BPM | ||
| Heat of the Wide Afternoon | Max Stalling | A Major | 5 | 11B | 113 BPM | ||
| Still Life With Rose | Junior Brown | A Major | 5 | 11B | 139 BPM | ||
| 16 Days - Acoustic Version | Whiskeytown | C Major | 3 | 8B | 134 BPM | ||
| Faded Loves And Memories | Blaze Foley | A Major | 2 | 11B | 98 BPM | ||
| Watermelon Time In Georgia - Single Version | Lefty Frizzell | E Major | 5 | 12B | 114 BPM | ||
| Right Where I Belong | The Flatlanders | C Major | 6 | 8B | 93 BPM | ||
| Seasons | James Whitex | C Major | 2 | 8B | 89 BPM | ||
| The Whiskey Seems to Always Change My Mind | Eric Strickland & the B Sides | D Major | 7 | 10B | 111 BPM | ||
| Honkytonk Life | Gethen Jenkins | G Major | 3 | 9B | 70 BPM | ||
| Water in the Well | BJ Barham | F Major | 2 | 7B | 122 BPM | ||
| Sky King | Kris Kristofferson | G Major | 3 | 9B | 88 BPM | ||
| Jesus & Elvis | Greg Brown | C Major | 3 | 8B | 97 BPM | ||
| Smokin' 100's Alone | The Bottle Rockets | E Minor | 3 | 9A | 183 BPM | ||
| Tell Lorrie I Love Her | Keith Whitley | G Major | 2 | 9B | 106 BPM | ||
| Maybe I Should Have Been Listening | Gene Watson | F♯ Major | 4 | 2B | 109 BPM | ||
| Where Was I? | Paul Thorn | G Major | 3 | 9B | 135 BPM | ||
| Jazz Country | Gregors Gronders | C Major | 2 | 8B | 89 BPM | ||
| 3 a.M in Houston | Taylor Cowan | B Major | 1 | 1B | 129 BPM | ||
| I Wonder Where We'd Be Tonight | Vern Gosdin | B Major | 2 | 1B | 128 BPM | ||
| I Do Believe I've Had Enough | Zephaniah OHora | G Major | 5 | 9B | 122 BPM | ||
| The Outlaw Ways | Hank 3 & David Allan Coe | B Major | 5 | 1B | 142 BPM | ||
| No One's Home | Gear Daddies | D Major | 4 | 10B | 120 BPM |