Arthur Miller, Emily Bergl, Kevin Chamberlin, Tim DeKay, James Gammon, Lee Garlington, Graham Hamilton, Tom McGowan, Kurtwood Smith, Russell Soder, Tegan West, James Farentino, Arye Gross, Julie Harris, Mitchell Hebert, Naomi Jacobson, Barbara Klein, Paul Morella, Michaeleen O'Neil, Nathan Taylor, Jerry Whiddon, Steven Culp, Maureen Flannigan, Jason Henning, Jane Kaczmarek, Stacy Keach, Sam McMurray, Kathryn Meisle, Tim Monsion, John Sloan, Kate Steele, Kenneth Alan Williams, Irene Aranga, Rene Auberjonois, Ed Begley Jr., Bud Cort, Richard Dreyfuss, Judyann Elder, Hector Elizondo, Fionnula Flanagan, Ann Hearne, Carol Kane, Joe Spano, Michael York, Charles Cioffi, Harry Hamlin, Jamie Hanes, Mary McDonnell, Peter Morse, Ed O'Neill's 'Chapter 348 - The Arthur Miller Collection' had a release date set for August 15, 2011. The duration of This song is about 3 minutes long, at 3:02. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 359 in the song's album "The Arthur Miller Collection". In this album, this song's track order is #78. Furthermore, we believe that the track originated from Germany. Chapter 348 - The Arthur Miller Collection is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Chapter 348 - The Arthur Miller Collection by Arthur Miller, Emily Bergl, Kevin Chamberlin, Tim DeKay, James Gammon, Lee Garlington, Graham Hamilton, Tom McGowan, Kurtwood Smith, Russell Soder, Tegan West, James Farentino, Arye Gross, Julie Harris, Mitchell Hebert, Naomi Jacobson, Barbara Klein, Paul Morella, Michaeleen O'Neil, Nathan Taylor, Jerry Whiddon, Steven Culp, Maureen Flannigan, Jason Henning, Jane Kaczmarek, Stacy Keach, Sam McMurray, Kathryn Meisle, Tim Monsion, John Sloan, Kate Steele, Kenneth Alan Williams, Irene Aranga, Rene Auberjonois, Ed Begley Jr., Bud Cort, Richard Dreyfuss, Judyann Elder, Hector Elizondo, Fionnula Flanagan, Ann Hearne, Carol Kane, Joe Spano, Michael York, Charles Cioffi, Harry Hamlin, Jamie Hanes, Mary McDonnell, Peter Morse, Ed O'Neill having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Slaughterhouse 5, Pt. 5, 6 and 7 | Kurt Vonnegut | B♭ Minor | 1 | 3A | 99 BPM | ||
| Ye | Jenninex | B Major | 1 | 1B | 69 BPM | ||
| The Unicorn and the Yummy Pizza - Story | Riley Weber | D♭ Major | 6 | 3B | 115 BPM | ||
| Knows It | Mezuhuda | B Major | 1 | 1B | 67 BPM | ||
| Chapter 2.2 - Animal Farm | George Orwell | E♭ Major | 3 | 5B | 76 BPM | ||
| Lament | Richard Burton | D♭ Major | 1 | 3B | 90 BPM | ||
| Worthy to Be Praised | niromez | D Minor | 1 | 7A | 101 BPM | ||
| Poop-poop | Mark Isaacs | A Major | 3 | 11B | 140 BPM | ||
| The Shield of Achilles | W. H. Auden | A Major | 2 | 11B | 131 BPM | ||
| Wrong Side Of The Bed | Arthur Miller | C Minor | 5 | 5A | 87 BPM | ||
| Chapter 03 - Grimms' Fairy Tales | The Brothers Grimm | A♭ Major | 3 | 4B | 82 BPM | ||
| Bad mood | Drake baba, Star Solution | D Minor | 1 | 7A | 101 BPM | ||
| Teil 12 - Moby Dick | Herman Melville, Eberhard Krug, Peter Schiff, Rolf Marnitz | F Minor | 4 | 4A | 78 BPM | ||
| The Birth of a New Nation (April 7, 1957), Pt. 1 | Martin Luther King, Jr. | F Minor | 5 | 4A | 168 BPM | ||
| Of Mice and Crocodiles | O' Rourke | A Minor | 1 | 8A | 160 BPM | ||
| Lines Written in Early Spring | Stephen Murray, William Wordsworth | D♭ Major | 3 | 3B | 0 BPM | ||
| Taken My Heart | ShowBoy | G Major | 1 | 9B | 112 BPM | ||
| Slaughterhouse 5, Pt. 1 | Kurt Vonnegut | F Minor | 1 | 4A | 76 BPM | ||
| Teil 4 - Moby Dick | Herman Melville, Eberhard Krug, Peter Schiff, Rolf Marnitz | B Major | 1 | 1B | 67 BPM | ||
| At Casterbridge Fair | Richard Burton | F♯ Major | 2 | 2B | 123 BPM | ||
| From Ruins To Rise | Busta Dogo | F Minor | 4 | 4A | 92 BPM | ||
| To Feed an Empty Soul | Nik_Poetry | C Major | 2 | 8B | 110 BPM | ||
| Talent Becomes the Glucksey | Sean William, Gordon C. Gauthier, Scott Hull, Masterdisk | B Minor | 1 | 10A | 181 BPM | ||
| Slaughterhouse 5, Pt. 2 and 3 | Kurt Vonnegut | F Minor | 1 | 4A | 90 BPM | ||
| Chapter 40 - Right Ho, Jeeves | P. G. Wodehouse, Simon Jones | D Major | 3 | 10B | 138 BPM |