"Marking Time, Waiting For Death" by Shiro Sagisu had its release date on June 21, 2019. The duration of This song is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Marking Time, Waiting For Death's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Neon Genesis Evangelion (Original Series Soundtrack)". In this album, this song's track order is #18. Furthermore, we believe that the track originated from Japan. Based on our statistics, Marking Time, Waiting For Death's popularity is below average in popularity right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Marking Time, Waiting For Death by Shiro Sagisu having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Move Me | RIDGE RACER Series, Bandai Namco Game Music | G Major | 10 | 9B | 144 BPM | ||
| ANGEL ATTACK | Shiro SAGISU | A Major | 5 | 11B | 116 BPM | ||
| Himitsu | Hideki Taniuchi | A Minor | 3 | 8A | 104 BPM | ||
| Stampede of the Ohmu | Joe Hisaishi | D Major | 8 | 10B | 163 BPM | ||
| A Crystalline Night Sky | Shiro SAGISU | E Minor | 3 | 9A | 128 BPM | ||
| L no Kako | Hideki Taniuchi | B♭ Major | 4 | 6B | 120 BPM | ||
| Pruit Igoe | Philip Glass | F Major | 2 | 7B | 120 BPM | ||
| Opening | Tsukasa Saitoh | G Major | 1 | 9B | 80 BPM | ||
| A01_EWS_Amano&Kosei | ヱヴァンゲリヲン新吹奏楽版 | A Minor | 2 | 8A | 64 BPM | ||
| 開かれる道~巨像との戦い~ | SIE Sound Team | F Minor | 5 | 4A | 80 BPM | ||
| Somebody Real | Gooseworx, Evan Alderete | C Major | 9 | 8B | 160 BPM | ||
| The Promised Consort | Shoi Miyazawa | E♭ Major | 7 | 5B | 178 BPM | ||
| THANATOS | Shiro SAGISU | G Minor | 4 | 6A | 66 BPM | ||
| Shadowlord | SQUARE ENIX MUSIC | E Minor | 8 | 9A | 148 BPM | ||
| The Miraculous Mandarin Suite, Op. 19: VI. Chase | Béla Bartók, Borusan Istanbul Philharmonic Orchestra, Sascha Goetzel | D Major | 2 | 10B | 129 BPM | ||
| オール・フォー・ワン | Yuki Hayashi | D Minor | 6 | 7A | 80 BPM | ||
| The Twin Moon Knight | Tai Tomisawa | E♭ Major | 7 | 5B | 178 BPM | ||
| 背後からの使者~巨像との戦い~ | SIE Sound Team | D Minor | 5 | 7A | 80 BPM | ||
| 人工の大地 M-1 | 松山祐士 | F Major | 2 | 7B | 82 BPM | ||
| Explosion of Mob's Feelings - From "Mob Psycho 100" | Gabriele Motta | F Major | 8 | 7B | 150 BPM | ||
| Claw Finger | Avith Ortega, Akira Yamaoka | B♭ Minor | 0 | 3A | 67 BPM | ||
| Blood Bag - Extended Version | Junkie XL | D♭ Major | 8 | 3B | 125 BPM | ||
| SPY | SEATBELTS | F Minor | 7 | 4A | 128 BPM | ||
| 敢闘 | Michiru Oshima | E Minor | 9 | 9A | 96 BPM | ||
| オール・フォー・ワンの力 | Yuki Hayashi | D♭ Minor | 2 | 12A | 63 BPM |