On September 30, 2011, the song "Buenos Aires" was released by O.T. Aníbal Troilo, Fiorentino. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "Tango Classics 138: Percal". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Germany. Based on our statistics, Buenos Aires's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Buenos Aires by O.T. Aníbal Troilo, Fiorentino having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Luna de Fuego | TITANES RM | A Major | 5 | 11B | 115 BPM | ||
| Irrealidad - Instrumental | Fabio Hager Sexteto | A Minor | 5 | 8A | 101 BPM | ||
| Solo tu | Romántica Milonguera | E Major | 5 | 12B | 128 BPM | ||
| Pena gaucha | Orquesta Roberto Firpo, Carlos Varela, Enrique Forte, Armando Acquarone, Rafael José Velich | C Major | 2 | 8B | 78 BPM | ||
| Chau | Alfredo De Angelis, Oscar Larroca | D♭ Major | 2 | 3B | 118 BPM | ||
| Porteñisimo | Romántica Milonguera | D Major | 4 | 10B | 134 BPM | ||
| Cuando Se Ha Querido Mucho | Angel D'Agostino | F Minor | 3 | 4A | 120 BPM | ||
| Porteña Linda | Edgardo Donato, Horacio Lagos | D Major | 4 | 10B | 96 BPM | ||
| Rumor de Seda | RICHAR MT | A Major | 5 | 11B | 115 BPM | ||
| Que Noche - Instrumental | Juan Polito | G Major | 5 | 9B | 104 BPM | ||
| Japonesita | Enrique Rodriguez, Roberto Videla | G Major | 2 | 9B | 97 BPM | ||
| Petit Salón | Ariel Ardit | A Major | 4 | 11B | 115 BPM | ||
| Para vos mamá | Enrique Rodriguez, Armando Moreno | G Major | 4 | 9B | 116 BPM | ||
| Paciencia Sera Otra Vez | Miguel Montero | D♭ Major | 4 | 3B | 103 BPM | ||
| Al Compas de un Tango | Ricardo Tanturi | G Major | 5 | 9B | 132 BPM | ||
| Contratiempo | O.T. Aníbal Troilo | B♭ Major | 2 | 6B | 128 BPM | ||
| Solo Compasión - Buenos Aires 20/10/1941 (Restauración 2022) | Angel D'Agostino, Ángel Vargas | C Minor | 2 | 5A | 125 BPM | ||
| Las vueltas de la vida | Floreal Ruiz, Francisco Canaro, Manuel Romero, Orquesta de Francisco Rotundo | E Minor | 4 | 9A | 122 BPM | ||
| Milonga del Adiós en Re menor | JEIRI SONJ | A Major | 5 | 11B | 115 BPM | ||
| Márchate Corazón | Oscar Agudelo | D Minor | 2 | 7A | 93 BPM | ||
| Chiqué | Ramiro Boero | G Minor | 3 | 6A | 113 BPM | ||
| Soñé con vos | Orquesta Típica Misteriosa Buenos Aires, Sandra Luna | F♯ Minor | 4 | 11A | 85 BPM | ||
| Corazón en Llamas | LA Sentimental | A Major | 5 | 11B | 115 BPM | ||
| Volverás | Osvaldo Fresedo | A Major | 5 | 11B | 115 BPM | ||
| La Novena | Nina Miranda, Donato Racciatti y Su Orquesta Típica | A Major | 5 | 11B | 128 BPM |