"This Is the Beginning, This Is the End - Instrumental" by Saigon Would Be Seoul had its release date on April 23, 2021. The duration of This song is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. This Is the Beginning, This Is the End - Instrumental's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 28 in the song's album "The Human Stain (Expanded Edition)". In this album, this song's track order is #1. Furthermore, we believe that the track originated from France. Based on our statistics, This Is the Beginning, This Is the End - Instrumental's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
With This Is the Beginning, This Is the End - Instrumental by Saigon Would Be Seoul having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Butterfly Dance | María Parra | F Minor | 6 | 4A | 120 BPM | ||
| Form and Feeling | Saigon Would Be Seoul | A Major | 1 | 11B | 110 BPM | ||
| Radiant Moonrise | Lunar Frequency | E♭ Major | 0 | 5B | 131 BPM | ||
| Restfully | Erik Svensson | B Major | 0 | 1B | 131 BPM | ||
| Sacred Trees | Lina Brechtenwert | E Minor | 7 | 9A | 140 BPM | ||
| Narenta | Saigon Would Be Seoul | E Minor | 1 | 9A | 64 BPM | ||
| A New Soul Emerges | Alanna Crouch | D Minor | 0 | 7A | 91 BPM | ||
| I Need More Summer | Moux | A Major | 1 | 11B | 142 BPM | ||
| Flying, Pt. 2 | Tomasz Trzcinski | D Minor | 0 | 7A | 72 BPM | ||
| We Open Our Hands | Dereaux | F Major | 1 | 7B | 151 BPM | ||
| Avenoir | L Kovac, Pannonian Plains | D♭ Major | 0 | 3B | 110 BPM | ||
| Clear Winter Night | Li Zemin | D♭ Major | 0 | 3B | 110 BPM | ||
| Wabi-Sabi | Yuko | F♯ Major | 0 | 2B | 69 BPM | ||
| Night Whisers La Noche | edual.zz | D♭ Major | 0 | 3B | 110 BPM | ||
| The Tiniest Manifesto | Saigon Would Be Seoul | E♭ Minor | 2 | 2A | 50 BPM | ||
| Falling Short Of Magic | Jef Martens, Waltzin | C Major | 0 | 8B | 72 BPM | ||
| epilogue 2. (III) | Yuh Baek | D♭ Major | 0 | 3B | 110 BPM | ||
| Sequence | Matteo Myderwyk | C Major | 1 | 8B | 144 BPM | ||
| Mirror Heights | Blurstem | F Major | 0 | 7B | 176 BPM | ||
| The Last Embrace | Ronni Kot | D Major | 0 | 10B | 76 BPM | ||
| Lullaby of Aches and Desires | Phil Larson | D♭ Major | 0 | 3B | 110 BPM | ||
| Sunshine in My Cup | Ewdin Oliver III, Midnight Piano Journal | E Major | 1 | 12B | 81 BPM | ||
| It's All Gone | Matt Wilier | B♭ Minor | 1 | 3A | 63 BPM | ||
| Refraction | Shimon Hoshino | D♭ Major | 0 | 3B | 110 BPM | ||
| Unlocked Memory | Maciej Tubis | D Major | 1 | 10B | 129 BPM |