"Flight to Compound" by Alexandre Desplat had its release date on December 19, 2012. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Zero Dark Thirty (Original Soundtrack) by Alexandre Desplat. The song's track number on the album is #1 out of 18 tracks. Based on our data, Uganda was the country where this track was produced or recorded. In terms of popularity, Flight to Compound is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Flight to Compound by Alexandre Desplat has a tempo of 116 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Flight to Compound being at 116 BPM, the half-time would be 58 BPM with a double-time of 232 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Distress Signal | Blake Neely | G Major | 6 | 9B | 149 BPM | ||
| Dougie | Chris Benstead | A Major | 1 | 11B | 132 BPM | ||
| The Beginning | Danny Bensi and Saunder Jurriaans | D Major | 1 | 10B | 121 BPM | ||
| Flair Fight | Richard Reed Parry, Pietro Amato | G Major | 5 | 9B | 87 BPM | ||
| Blind Faith | Atticus Ross | E♭ Major | 1 | 5B | 88 BPM | ||
| Were You a Good Dad? | Mark Isham | D♭ Major | 0 | 3B | 150 BPM | ||
| Fusion | Ludwig Göransson | D♭ Major | 2 | 3B | 121 BPM | ||
| Tell Me Everything | John Ottman | G Minor | 2 | 6A | 51 BPM | ||
| Two Kinds Of Pain | Jeff Beal | C Major | 2 | 8B | 68 BPM | ||
| We Can't Let Them Win | Jed Palmer | E Major | 2 | 12B | 79 BPM | ||
| Back Door | Chris Benstead | C Minor | 3 | 5A | 165 BPM | ||
| The Establishment | Martin Phipps | B♭ Minor | 2 | 3A | 139 BPM | ||
| Rubber Head | Cliff Martinez | E Major | 1 | 12B | 67 BPM | ||
| Unraveling | West Dylan Thordson | F Minor | 1 | 4A | 106 BPM | ||
| Henry Plainview | Jonny Greenwood | D♭ Major | 2 | 3B | 79 BPM | ||
| Rough Flight | John Ottman | E Minor | 4 | 9A | 85 BPM | ||
| Cat & Mouse | Ryuichi Sakamoto, alva noto, Bryce Dessner | D Major | 4 | 10B | 88 BPM | ||
| Glowing Glimmer | Christopher Young | F♯ Major | 1 | 2B | 56 BPM | ||
| Chessboard Revealed | Jeff Beal | A♭ Major | 1 | 4B | 65 BPM | ||
| The Exchange | Lorne Balfe | D Major | 6 | 10B | 110 BPM | ||
| Midnight Special Theme | David Wingo | C Major | 1 | 8B | 100 BPM | ||
| Convoy | Jóhann Jóhannsson | B Minor | 1 | 10A | 90 BPM | ||
| Piccadilly Circus | Sarah Schachner | A♭ Major | 4 | 4B | 105 BPM | ||
| Rescue Continues | Rupert Gregson-Williams | E Minor | 4 | 9A | 122 BPM | ||
| Duck Shoot | Rupert Gregson-Williams | D Minor | 1 | 7A | 120 BPM |