"Rendezvous" by Walter Beasley had its release date on January 7, 2003. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Walter Beasley's "Midnight Love" album is number 7 out of 10. On top of that, United States appears to be the country where this track was created. In terms of popularity, Rendezvous is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Rendezvous by Walter Beasley to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Still the One | Fourplay | D♭ Minor | 4 | 12A | 92 BPM | ||
| Baby Come To Me | George Howard | A♭ Major | 6 | 4B | 84 BPM | ||
| Pacific Coast Highway | Nils | B Minor | 8 | 10A | 112 BPM | ||
| We Are One | Althea Rene | G Minor | 7 | 6A | 96 BPM | ||
| Affection | Randy Scott | F Minor | 6 | 4A | 180 BPM | ||
| Keepin' It Real | Joe McBride | G Major | 8 | 9B | 102 BPM | ||
| Come on Over | Walter Beasley | B Major | 5 | 1B | 90 BPM | ||
| Good Morning | Walter Beasley | B♭ Minor | 6 | 3A | 100 BPM | ||
| Believe it | Lin Rountree | C Major | 8 | 8B | 98 BPM | ||
| Music | Walter Beasley | G Major | 5 | 9B | 100 BPM | ||
| Style and Elegance | JJ Sansaverino | C Major | 6 | 8B | 108 BPM | ||
| Remind Me | Ben Tankard | E Minor | 5 | 9A | 91 BPM | ||
| I Will | Dee Brown | C Major | 8 | 8B | 105 BPM | ||
| Daddy-O | Joyce Cooling | F Minor | 7 | 4A | 112 BPM | ||
| Kiss and Tell | LeBron | C Major | 5 | 8B | 140 BPM | ||
| Twice in a Lifetime | Michael Lington | G Minor | 5 | 6A | 178 BPM | ||
| Undun | Steve Cole | E♭ Minor | 4 | 2A | 116 BPM | ||
| Let It Flow | Eric Darius | E Minor | 6 | 9A | 87 BPM | ||
| Always There (feat. Jeff Golub) | Avenue Blue (Featuring Jeff Golub) | G Major | 7 | 9B | 92 BPM | ||
| Tangled Web | Brian Tarquin | F♯ Major | 5 | 2B | 92 BPM | ||
| Say It Again | Steve Cole | B♭ Major | 7 | 6B | 108 BPM | ||
| PCH (Pacific Coast Highway) | Jeff Lorber | C Minor | 6 | 5A | 95 BPM | ||
| Wednesday | Rob Mullins | C Minor | 6 | 5A | 92 BPM | ||
| Champagne Life | Gerald Albright, Norman Brown | E Minor | 7 | 9A | 96 BPM | ||
| Cookie Strut | Four80East | F Minor | 7 | 4A | 98 BPM |