"It's Time" by Stuart Roslyn had its release date on September 28, 2013. The duration of This song is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. It's Time's duration is considered a little bit shorter than the average duration of a typical track. The song is number 26 out of 37 in Decision Time - Tension and Suspense by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of It's Time is currently unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of It's Time by Stuart Roslyn is Presto (very, very fast), since this song has a tempo of 200 BPM. The time signature for this track is 4/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Let's Tell a Story, Pt. 1 | Spencer Hutchings | B♭ Major | 2 | 6B | 82 BPM | ||
| White Morning | Roie Shpigler | G Major | 3 | 9B | 100 BPM | ||
| Leave You to It (Sleep Dearie Sleep) | Martin Phipps, The Chamber Orchestra Of London | D Minor | 0 | 7A | 75 BPM | ||
| Octopus Joy | Kevin Smuts | A♭ Major | 0 | 4B | 71 BPM | ||
| I’m Sorry | Nathan Barr, Dimitri Smith | B♭ Major | 2 | 6B | 112 BPM | ||
| Mrs. True | Mark Isham | F♯ Major | 1 | 2B | 137 BPM | ||
| We Decide Who We Become | Sarah Trevino | G Major | 1 | 9B | 132 BPM | ||
| Liquid Amber | Stuart Roslyn | C Minor | 5 | 5A | 125 BPM | ||
| All Creatures Great and Small Suite | Alexandra Harwood | A Minor | 0 | 8A | 74 BPM | ||
| Avenoir | Katharine Petkovski | F Major | 2 | 7B | 156 BPM | ||
| Night Time, Day Time | John Powell | G Minor | 7 | 6A | 95 BPM | ||
| Welcome to Paradise | Siddhartha Khosla | A♭ Major | 3 | 4B | 135 BPM | ||
| It Gets a Little Lonely | Francis Wells | D Major | 3 | 10B | 170 BPM | ||
| A Possible Solution | Uno Helmersson | C Minor | 1 | 5A | 220 BPM | ||
| Young Diana | Alexandre Desplat | F Major | 0 | 7B | 80 BPM | ||
| Water and Stone | Will Van De Crommert | A♭ Major | 5 | 4B | 168 BPM | ||
| Endurance | Daniel Pemberton | A Minor | 3 | 8A | 81 BPM | ||
| A Life Well Lived | Tyler Strickland | F♯ Minor | 0 | 11A | 88 BPM | ||
| Letters | Nathan Klein, F. Keane | D Minor | 3 | 7A | 80 BPM | ||
| Final Answer | Stuart Roslyn | G Major | 0 | 9B | 139 BPM | ||
| The Pool | Johannes Ringen | F Minor | 1 | 4A | 120 BPM | ||
| Elixir | Stuart Roslyn, Drew Milligan | F Major | 10 | 7B | 137 BPM | ||
| Shrines | David Celeste | C Minor | 1 | 5A | 148 BPM | ||
| Venus Descending | Bonnie Grace | F Minor | 2 | 4A | 100 BPM | ||
| Other Sides of Glory | Fabien Tell | B♭ Major | 3 | 6B | 124 BPM |