Jack Lemmon's 'Try a Little Tenderness' had a release date set for January 1, 1959. The duration of This song is about 3 minutes long, at 3:16. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Jack Lemmon's "Jack Lemmon Sings and Plays Music from Some Like It Hot" album is number 2 out of 12. On top of that, Australia appears to be the country where this track was created. Try a Little Tenderness is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Try a Little Tenderness by Jack Lemmon to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Velvet Rail | Sosa Drip | E♭ Minor | 4 | 2A | 108 BPM | ||
| Don Cha Go Way Mad | Lucy Ann Polk | C Minor | 0 | 5A | 116 BPM | ||
| A Snowy Day, Classic Oldies: A Heartfelt Nostalgic Soundtrack | Oldies Playing in another room | A♭ Major | 8 | 4B | 160 BPM | ||
| Flamingo | Ginny Simms | A♭ Major | 2 | 4B | 87 BPM | ||
| Laughing on the Outside | The Merry Macs | D♭ Major | 2 | 3B | 183 BPM | ||
| Georgia on My Mind | Jack Lemmon | A Minor | 0 | 8A | 72 BPM | ||
| 紅の翼 | Victor Young & His Orchestra | D♭ Major | 1 | 3B | 89 BPM | ||
| Easy Pickin' | Les Elgart | F Major | 2 | 7B | 131 BPM | ||
| Howdy Friends And Neighbors | June Allyson, Jack Lemmon, Chorus, Stubby Kayre, Morris Stoloff | C Major | 5 | 8B | 130 BPM | ||
| Just for Me | Al Trace and His Musicians, Bob Vincent | B♭ Major | 5 | 6B | 131 BPM | ||
| Pensate, Amore | Louis Prima | F Major | 3 | 7B | 82 BPM | ||
| A Sunday Kind of Love | Bryan Eng | A♭ Major | 3 | 4B | 91 BPM | ||
| Beyond the Last Word | Walko | B♭ Major | 3 | 6B | 143 BPM | ||
| The Things I Might Have Been (feat. Sue Thompson) | Tennessee Ernie Ford, Sue Thompson | E♭ Minor | 1 | 2A | 137 BPM | ||
| You’re Getting to Be a Habit with Me | Alexander Thoma | A♭ Major | 2 | 4B | 128 BPM | ||
| Our Love Came to an End | Eclipse Sinfónico | C Major | 3 | 8B | 121 BPM | ||
| Till There Was Yo | Eddie Fisher | D Major | 3 | 10B | 83 BPM | ||
| Pavement Prophets | JAY 1STOCK | F Major | 1 | 7B | 119 BPM | ||
| Summertime | Ray Conniff | F Minor | 2 | 4A | 74 BPM | ||
| There's No Tomorrow | Tony Martin | B♭ Major | 2 | 6B | 94 BPM | ||
| What'll I Do? | Al Jolson | D♭ Major | 1 | 3B | 89 BPM | ||
| Let Me Call You Sweetherart | Joe Leahy & His Orchestra | A Major | 2 | 11B | 88 BPM | ||
| There Must Be A Way | Roselli, Jimmy | F♯ Major | 4 | 2B | 84 BPM | ||
| Soft Lights And Sweet Music; They Say It’s Wonderful | Irving Berlin, Frank De Vol And His Orchestra | C Minor | 3 | 5A | 108 BPM | ||
| The Five Pennies | The Cast | A♭ Major | 3 | 4B | 93 BPM |