No Fun At All's ' "Aftermath" was released on its scheduled release date, April 8, 2003. The duration of This song is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Aftermath's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in No Fun At All's "Master Celebrations" album is number 22 out of 24. The popularity of Aftermath is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Aftermath by No Fun At All to be Vivace (lively and fast) because the track has a tempo of 171 BPM, a half-time of 86BPM, and a double-time of 342 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Summer of '94 | Venerea, Nikola Sarcevic, Geir Pedersen, Ingemar Jansson | E Major | 9 | 12B | 127 BPM | ||
| In the End | Pridebowl | B Minor | 9 | 10A | 189 BPM | ||
| The Stories Are True | Time Again, Tim Armstrong | D Major | 9 | 10B | 170 BPM | ||
| Teens Turned to Fiends | Pour Habit | B♭ Minor | 10 | 3A | 198 BPM | ||
| True Believers | The Bouncing Souls | C Major | 10 | 8B | 98 BPM | ||
| Don't Take Me For Granted | Social Distortion | F Major | 10 | 7B | 182 BPM | ||
| Suicide Machine | No Fun At All | D♭ Major | 10 | 3B | 89 BPM | ||
| Taken | AVAIL | A Minor | 10 | 8A | 163 BPM | ||
| Stand | Good Riddance | D Major | 10 | 10B | 104 BPM | ||
| 100 Proof | 88 Fingers Louie | F Major | 10 | 7B | 116 BPM | ||
| Side by Side | Misconduct | A Major | 8 | 11B | 104 BPM | ||
| K6 | The Lillingtons | D♭ Major | 10 | 3B | 195 BPM | ||
| Blind | Face To Face | C Major | 10 | 8B | 108 BPM | ||
| Nothing Personal | No Fun At All | D♭ Minor | 9 | 12A | 92 BPM | ||
| Steps | Good Riddance | B♭ Minor | 9 | 3A | 109 BPM | ||
| Sunstroke | Guns n' Wankers | B♭ Major | 10 | 6B | 189 BPM | ||
| Character-Builder | Pridebowl, Adhesive | E Major | 10 | 12B | 108 BPM | ||
| Island of Shame | Lagwagon | G Major | 3 | 9B | 137 BPM | ||
| Reality Is A Ride On The Bus | SNFU | G Major | 10 | 9B | 137 BPM | ||
| Growing Old, Growing Cold | No Fun At All | A Major | 10 | 11B | 180 BPM | ||
| You Make Me Thick | SNFU | G Major | 10 | 9B | 161 BPM | ||
| Gnarly Charlie | Ten Foot Pole, Satanic Surfers | A♭ Major | 9 | 4B | 198 BPM | ||
| Second Best | No Fun At All | B♭ Minor | 9 | 3A | 139 BPM | ||
| Gut Shot | Much The Same | F♯ Major | 10 | 2B | 201 BPM | ||
| Instinct | Strike Anywhere | D Major | 10 | 10B | 98 BPM |