"「荒ぶる邂逅 ~巨像との戦い~」~「甦る力 ~巨像との戦い~」" by 柴田真郁, Tokyo Symphony Orchestra, 東響コーラス, 末永匡 had its release date on March 9, 2019. The duration of This song is about 3 minutes long, at 3:20. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Various Artists's "Music 4Gamer #2 「ワンダと巨像」ピアノ&オーケストラコンサート" album is number 14 out of 14. On top of that, Japan appears to be the country where this track was created. In terms of popularity, 「荒ぶる邂逅 ~巨像との戦い~」~「甦る力 ~巨像との戦い~」 is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 「荒ぶる邂逅 ~巨像との戦い~」~「甦る力 ~巨像との戦い~」 by 柴田真郁, Tokyo Symphony Orchestra, 東響コーラス, 末永匡 to be Moderato (at a moderate speed) because the track has a tempo of 114 BPM, a half-time of 57BPM, and a double-time of 228 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| And Birds Are Still..., Op. 72 | Takashi Yoshimatsu, Keitaro Harada, Tokyo Symphony Orchestra | C Minor | 1 | 5A | 77 BPM | ||
| 廻覧 | 柴田真郁, Tokyo Symphony Orchestra | F Major | 1 | 7B | 83 BPM | ||
| Baile de Violetas - Cello Version | Carlos Viola | D♭ Major | 6 | 3B | 195 BPM | ||
| Cold Blues and Flaming Reds | Miwako Chinone | F Minor | 5 | 4A | 150 BPM | ||
| Symphony No. 3, Op. 75: II. Scherzo: Allegro scherzando | Takashi Yoshimatsu, Keitaro Harada, Tokyo Symphony Orchestra | C Minor | 1 | 5A | 77 BPM | ||
| Roundtable Hold | Tsukasa Saitoh | D♭ Minor | 6 | 12A | 119 BPM | ||
| Both of You, Dance Like You Want to Win! (From "Neon Genesis Evangelion") | Natalia Andrea | C Major | 3 | 8B | 88 BPM | ||
| The Hamlet | Stuart Chatwood | A Major | 3 | 11B | 74 BPM | ||
| Kamui-Chikap Symphony, Op. 40: III. Fire | Takashi Yoshimatsu, Keitaro Harada, Tokyo Symphony Orchestra | A Major | 0 | 11B | 79 BPM | ||
| FFVII REMAKE: Let the Battles Begin! - A Merc's Job | 植松 伸夫 | B♭ Minor | 9 | 3A | 119 BPM | ||
| Sir Alonne | Yuka Kitamura | F Minor | 6 | 4A | 73 BPM | ||
| Rising Sun | T’s MUSIC | A Minor | 9 | 8A | 130 BPM | ||
| Slave Knight Gael | Yuka Kitamura | F♯ Major | 7 | 2B | 111 BPM | ||
| Daughter of the Dark God | Yasunori Nishiki | B♭ Minor | 9 | 3A | 174 BPM | ||
| Fear of the Heavens | Hiroki Kikuta | F Major | 3 | 7B | 65 BPM | ||
| 未知ノ路往く文士タレ | 柴田真郁, Tokyo Symphony Orchestra | D Minor | 4 | 7A | 145 BPM | ||
| 交響詩ローマの松, 1. ボルゲーゼ荘の松 | Ottorino Respighi, Norichika Iimori, Tokyo Symphony Orchestra | D Major | 3 | 10B | 95 BPM | ||
| Tarkus: Manticore | Keith Emerson, Greg Lake, Keitaro Harada, Tokyo Symphony Orchestra | A♭ Major | 5 | 4B | 140 BPM | ||
| The Master | Koutarou Nakagawa | E Minor | 8 | 9A | 173 BPM | ||
| The Doom | Lucas Pope | B Minor | 0 | 10A | 120 BPM | ||
| The Beast II (1996) | Shiro SAGISU | C Major | 2 | 8B | 172 BPM | ||
| 文豪とアルケミスト for Violin solo & Orchestra | 柴田真郁, 松原まり, Tokyo Symphony Orchestra | B♭ Major | 4 | 6B | 119 BPM | ||
| The Twin Moon Knight | Tai Tomisawa | E♭ Major | 7 | 5B | 178 BPM | ||
| Who Am I Really? ~ Memories of Hal ~ Reminiscence | 日比野則彦, Shinya Kiyozuka | F Major | 1 | 7B | 86 BPM | ||
| Shadowlord | SQUARE ENIX MUSIC | E Minor | 8 | 9A | 148 BPM |