"5 Deep on Charlie (Demo Version)" by The Tony Danza Tapdance Extravaganza had its release date on May 1, 2004. 5 Deep on Charlie (Demo Version) is considered explicit and may contain foul language. This song is about 3 minutes and 0 seconds, which is about the average length of a typical song. There are a total of 7 in the song's album "The Tony Danza Tapdance Extravaganza". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. Based on our statistics, 5 Deep on Charlie (Demo Version)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 5 Deep on Charlie (Demo Version) by The Tony Danza Tapdance Extravaganza having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 1/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Catalepsy | The Red Chord | A Major | 9 | 11B | 95 BPM | ||
| I Used To Hate Cell Phones But Now I Hate Car Accidents | Norma Jean | A♭ Major | 10 | 4B | 82 BPM | ||
| The Shotgun Message | Norma Jean | A♭ Major | 10 | 4B | 85 BPM | ||
| Mark The Lines | Veil Of Maya | D♭ Minor | 9 | 12A | 140 BPM | ||
| Cliff Burton Suprise | The Tony Danza Tapdance Extravaganza | G Minor | 10 | 6A | 139 BPM | ||
| Bombs Over Rome | Animosity | B Minor | 10 | 10A | 88 BPM | ||
| If You Want To Blame Us For Something Wrong, Please Abuse This Song! | War From A Harlots Mouth | C Major | 9 | 8B | 111 BPM | ||
| Pestilence | Hazing Over | F♯ Major | 10 | 2B | 83 BPM | ||
| Armed with Their Teeth | SeeYouSpaceCowboy... | A♭ Major | 9 | 4B | 89 BPM | ||
| Gratitude | Car Bomb | E Major | 9 | 12B | 86 BPM | ||
| Entry Level Exit Wounds | Veil Of Maya | F♯ Major | 9 | 2B | 111 BPM | ||
| 2040 | Johnny Booth | B Minor | 10 | 10A | 75 BPM | ||
| Balboa Towers | The Acacia Strain | B♭ Minor | 9 | 3A | 130 BPM | ||
| Paul Bunyan and the Blue Ox | The Tony Danza Tapdance Extravaganza | E Major | 9 | 12B | 161 BPM | ||
| From the Unforgiving Arms of God | END | C Major | 9 | 8B | 95 BPM | ||
| Become So Small | Better Lovers | D Major | 10 | 10B | 90 BPM | ||
| Thorough.Modern | Exotic Animal Petting Zoo | E♭ Minor | 10 | 2A | 155 BPM | ||
| An Artifact | Reflections | F Minor | 7 | 4A | 150 BPM | ||
| Big Puns Not Dead Because I Just Saw Him at Krispy Kreme | The Tony Danza Tapdance Extravaganza | A♭ Major | 10 | 4B | 126 BPM | ||
| The Damage and The Sift | Frontierer | D Major | 10 | 10B | 78 BPM | ||
| Cursing Akhenaten | After The Burial | D♭ Major | 10 | 3B | 80 BPM | ||
| Mowgli | Veil Of Maya | E Minor | 10 | 9A | 149 BPM | ||
| Brother Johns Revenge | Duck Duck Goose | C Major | 9 | 8B | 135 BPM | ||
| Horse-Drawn | Destroyer Destroyer | D♭ Minor | 10 | 12A | 93 BPM | ||
| Single Cell | Johnny Booth | G Major | 10 | 9B | 184 BPM |