"The Horse" by Bernard Herrmann had its release date on 1964. With This song being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Bernard Herrmann's "Marnie (Complete Original Motion Picture Score)" album is number 30 out of 51. On top of that, United States appears to be the country where this track was created. In terms of popularity, The Horse is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Horse by Bernard Herrmann to be Andante (at a walking pace) because the track has a tempo of 108 BPM, a half-time of 54BPM, and a double-time of 216 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Solo Theme | Syd Dale | D Minor | 1 | 7A | 79 BPM | ||
| Love Theme From Chinatown (End Title) - From The "Chinatown" Soundtrack | Jerry Goldsmith | G Minor | 3 | 6A | 78 BPM | ||
| Julien Dans L'Ascenseur | Miles Davis | F Minor | 3 | 4A | 115 BPM | ||
| By The Fireside | Bernard Herrmann | D Minor | 2 | 7A | 85 BPM | ||
| The Dream | Bernard Herrmann | C Minor | 0 | 5A | 146 BPM | ||
| Blade Runner Blues | Vangelis | F Minor | 7 | 4A | 123 BPM | ||
| Budgerigars Fantasy | Sven Libaek | C Minor | 2 | 5A | 85 BPM | ||
| Incontro la contessa | Bruno Nicolai, Edda Dell'Orso | E Minor | 0 | 9A | 80 BPM | ||
| Tell Me When | Gerry Mulligan Sextet | D♭ Major | 0 | 3B | 69 BPM | ||
| La notte muore (orchestra) | Sandro Brugnolini | F Major | 1 | 7B | 79 BPM | ||
| Inner Space | Sven Libaek | F Major | 2 | 7B | 79 BPM | ||
| Turning Point - Colonna sonora del film "La polizia sta a guardare" | Stelvio Cipriani | C Major | 3 | 8B | 93 BPM | ||
| Le cercle rouge | Eric Demarsan | D Minor | 4 | 7A | 119 BPM | ||
| Farewell And The Tower | Bernard Herrmann | D Minor | 1 | 7A | 116 BPM | ||
| Atelier (Titoli) | Carlo Rustichelli | B♭ Major | 4 | 6B | 112 BPM | ||
| The Godfather Finale | Nino Rota, Carlo Savina | F Minor | 3 | 4A | 95 BPM | ||
| The Dream | Jocelyn Pook | F Minor | 2 | 4A | 84 BPM | ||
| Cio che e' scritto nel vento | Giorgio Gaslini | C Minor | 2 | 5A | 105 BPM | ||
| Goodbye For Kathy - Love Theme From "3 Days Of The Condor" | Dave Grusin | C Minor | 2 | 5A | 126 BPM | ||
| Future Markets | Jonny Greenwood | F Minor | 3 | 4A | 133 BPM | ||
| Poursuite - Version 2 / Bande originale du film "À bout de souffle" | Martial Solal | F Minor | 3 | 4A | 119 BPM | ||
| A Beautiful Mine (Mad Men Theme) | David Carbonara | D Minor | 5 | 7A | 172 BPM | ||
| Dixieland - Bande originale du film "À bout de souffle" | Martial Solal | F Minor | 5 | 4A | 99 BPM | ||
| Skating In Central Park | Bill Evans, Jim Hall | C Major | 0 | 8B | 124 BPM | ||
| I'm A Fool To Want You - Remastered 2006 | Donald Byrd | F Minor | 1 | 4A | 97 BPM |