Ophelia Ragtime Orchestra's ' "Odeon" was released on its scheduled release date, January 1, 1991. The duration of This song is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Odeon's duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 15 in Classic Ragtime by Ophelia Ragtime Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Norway. In terms of popularity, Odeon is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Odeon by Ophelia Ragtime Orchestra is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Poor Katie Redd | Eubie Blake, Richard Dowling | B♭ Major | 3 | 6B | 136 BPM | ||
| Rosetta | Willie Humphrey, Brian O'Connell, Les Muscutt, Frank Fields, Ernie Elly | A Minor | 1 | 8A | 180 BPM | ||
| L’Écho des Pas Manouches | Quintette du Hot Club de France, Ensemble de Jazz Manouche, Tchan-Tchou Vidal | F♯ Major | 3 | 2B | 132 BPM | ||
| Am Hochstand | a zoate Mischung | F Major | 2 | 7B | 75 BPM | ||
| Kleine Dreigroschenmusik: VI. Tango-Ballade | Kurt Weill, Munich Radio Orchestra, Gerd Müller-Lorenz | D♭ Minor | 6 | 12A | 122 BPM | ||
| Serenade for a Stolen Night | Gypsy Swing Revue, Gypsy Jazz Caravan, Gypsy Jaz Mue-Zik, Cavendish Music | F♯ Major | 5 | 2B | 118 BPM | ||
| Big House Blues | Mick Mulligan & His Jazz Band, George Melly | D Minor | 4 | 7A | 207 BPM | ||
| Linger | Gunhild Carling | D♭ Major | 4 | 3B | 110 BPM | ||
| Rachel's Birthday | Marco Bianchi Vibes 4tet | E♭ Major | 1 | 5B | 133 BPM | ||
| Big Butter And Eggman | The Bourbon Street Stompers | C Major | 4 | 8B | 133 BPM | ||
| The Rag Time Dance | Ophelia Ragtime Orchestra | E♭ Major | 3 | 5B | 97 BPM | ||
| Forgetting You | The Charleston Chasers | B♭ Minor | 10 | 3A | 150 BPM | ||
| Hindustan | Ophelia Ragtime Orchestra | C Major | 1 | 8B | 115 BPM | ||
| For All We Know | Boilermaker Jazz Band | F Major | 3 | 7B | 134 BPM | ||
| Harlem Boogie-Woogie | Jerome Kern, Robert Russell Bennett, London Sinfonietta, John McGlinn | F Minor | 6 | 4A | 171 BPM | ||
| Strut Miss Lizzie | Johnny Maddox | B♭ Major | 6 | 6B | 99 BPM | ||
| Napolia | Max Greger | F Major | 6 | 7B | 181 BPM | ||
| How About Me? | Ophelia Ragtime Orchestra | C Major | 1 | 8B | 115 BPM | ||
| At the Woodchoppers Ball | Joe Loss & His Orchestra | F Minor | 3 | 4A | 178 BPM | ||
| Rigoletto Rock | Pee Wee Hunt | C Major | 3 | 8B | 110 BPM | ||
| A Shanty in Old Shanty Town | Allan Vaché, Antti Sarpila, Ken Peplowski, Mark Shane, Len Skeat, Joe Ascione | C Major | 4 | 8B | 116 BPM | ||
| Crazy Rhythm | Roger Wolfe Kahn & His Orchestra | A♭ Major | 3 | 4B | 93 BPM | ||
| Frozen Toes Boogie | Miltons soul | D♭ Major | 3 | 3B | 119 BPM | ||
| Cigarettes et Violons Fêlés | Quintette du Hot Club de France, Ensemble de Jazz Manouche, Tchan-Tchou Vidal | F♯ Major | 3 | 2B | 132 BPM | ||
| Baby | Alex Mendham and His Orchestra | C Major | 4 | 8B | 115 BPM |