Arthur Sullivan, Sir Charles Mackerras, Welsh National Opera Chorus, Welsh National Opera Orchestra, Pamela Helen Stephens, Donald Adams, Barry Banks, Richard Stuart, Peter Savidge, Rebecca Evans, Gareth-Rhys Davies's ' "Trial by Jury: Finale. Oh, Joy Unbounded" was released on its scheduled release date, October 24, 1995. With This song being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Arthur Sullivan, Sir Charles Mackerras, Welsh National Opera Orchestra, Welsh National Opera Chorus, Alwyn Mellor, Neil Archer, Richard Stuart, Felicity Palmer, Donald Adams, Donald Maxwell, Rebecca Evans's "Gilbert & Sullivan: The Yeomen of the Guard & Trial by Jury" album is number 38 out of 38. On top of that, United States appears to be the country where this track was created. Trial by Jury: Finale. Oh, Joy Unbounded is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Trial by Jury: Finale. Oh, Joy Unbounded by Arthur Sullivan, Sir Charles Mackerras, Welsh National Opera Chorus, Welsh National Opera Orchestra, Pamela Helen Stephens, Donald Adams, Barry Banks, Richard Stuart, Peter Savidge, Rebecca Evans, Gareth-Rhys Davies to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gounod: Faust, CG 4, Act 1 Scene 2: No. 4, Duo, (b) "A moi les plaisirs" (Faust, Méphistophélès) | Charles Gounod, Michel Plasson, Orchestre National Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| Die Fledermaus / Act 2: "Herr, Chevalier, ich grüsse Sie!" | Johann Strauss II, Brigitte Fassbaender, Olaf Bär, Kiri Te Kanawa, Edita Gruberova, Wolfgang Brendel, Tom Krause, Vienna State Opera Chorus, Wiener Philharmoniker, André Previn | F Major | 2 | 7B | 124 BPM | ||
| Gounod: Faust, Act 2: Choral des épées. "De l'enfer qui vient émousser nos armes" (Chœur, Valentin, Wagner, Siebel) | Charles Gounod, Michel Plasson, Chœur de l'Armée française, Choeur Du Capitole De Toulouse, Marc Barrard, Martine Mahé, Thomas Hampson, Orchestre Du Capitole De Toulouse | B♭ Major | 2 | 6B | 90 BPM | ||
| Offenbach: La Belle Hélène, Act 2: Duo. "C'est le ciel qui m'envoie" (Hélène, Pâris) | Jacques Offenbach, Marc Minkowski, Felicity Lott, Yann Beuron, Les Musiciens du Louvre | E Major | 1 | 12B | 90 BPM | ||
| A High, Holy Calling God's Given | Hidden Treasures Music, Ståle Risnes, Mary-Lee Jacquier | C Major | 2 | 8B | 135 BPM | ||
| Carmen / Act 3: Si tu m'aimes, Carmen... | Georges Bizet, Christine Barbaux, Agnes Baltsa, Jane Berbié, José van Dam, Berliner Philharmoniker, Herbert von Karajan, Choeur de l'Opéra de Paris | B♭ Minor | 1 | 3A | 85 BPM | ||
| Bellini: I puritani: "A festa!" (Coro) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Eugene Onegin, Op. 24, TH 5, Eugene Onegin, Op. 24, Act II: Uzhel ya zasluzhil ot vas nasmyeshku etu? | Pyotr Ilyich Tchaikovsky, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | A Minor | 1 | 8A | 71 BPM | ||
| My Fair Lady, Act I Scene 1: Opening Scene | Frederick Loewe, Sinfonia Of London, John Wilson, Scarlett Strallen, Jamie Parker | E♭ Major | 2 | 5B | 80 BPM | ||
| Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Erster Akt: Heia, heia, in den Bergen ist mein Heimatland (Sylva - Boni - Feri - Chor) | Emmerich Kálmán, Anneliese Rothenberger, Willy Mattes, Symphonie-Orchester Graunke | C Minor | 5 | 5A | 91 BPM | ||
| H.M.S. Pinafore / Act 1: Can I survive this overbearing | Arthur Sullivan, The D'Oyly Carte Opera Company, Thomas Round, Donald Adams, Joyce Wright, George Cook, Jean Hindmarsh, Gillian Knight, Eric Wilson-Hyde, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | E♭ Major | 3 | 5B | 130 BPM | ||
| Cui: Prisoner of the Caucasus, Act 2: Aria. "Solntse v nebe yasnom svetit ne tak yarko" (Aboubeker) | César Cui, Ivan Grizounov, Unknown Orchestra | C Major | 2 | 8B | 135 BPM | ||
| The Eternal Road, Act III, the Kings, Scene 24 (cont.): Ruth and Boaz | Kurt Weill, Sigurd Brauns, Ted Christopher, Ian DeNolfo, Karl Dent, Constance Hauman, James Maddalena, Barbara Rearick, Vale Rideout, Manfred Roost, Hanna Wollschlager, Ernst Senff Chor Berlin, Berlin Radio Children's Choir, Rundfunk-Sinfonieorchester Ber | F Major | 2 | 7B | 127 BPM | ||
| Die verkaufte Braut (2007 Remaster), Akt 2: Wie schäumst du in den Gläsern (Chor: Hans - Kezal - Chor) | Bedřich Smetana, Pilar Lorengar/Fritz Wunderlich/Gottlob Frick/Bamberger Symphoniker/Rudolf Kempe, Rudolf Kempe, Bamberg Symphony | G Major | 5 | 9B | 112 BPM | ||
| H.M.S. Pinafore, Act I: The Nightingale | Gilbert & Sullivan Society of Houston | A♭ Major | 1 | 4B | 89 BPM | ||
| Die Fledermaus, Act I: Terzett. So muss allein ich bleiben (Rosalinde, Adele, Eisenstein) | Johann Strauss II, Friedrich Haider, Paul Armin Edelmann, Aga Mikolaj, Chen Reiss, WDR Rundfunkorchester Köln | D Major | 1 | 10B | 92 BPM | ||
| Teil 7 - Folge 32: Professor van Dusen und das Auge des Zyklopen | Professor van Dusen, Michael Koser, Friedrich W. Bauschulte, Klaus Herm, Herbert Stass, Arnold Marquis, Helmut Wildt, Eva Manhardt, Susanna Bonaséwicz, Ingrid Kaehler | F Minor | 1 | 4A | 63 BPM | ||
| Forward, Warriors, to Battle and Conquer | Hidden Treasures Music | C Major | 2 | 8B | 135 BPM | ||
| Towards the Pinnacle, Poem for Soprano & Orchestra, Pt. 2 (Live) | Maya Badian, Romanian National Radio Orchestra, Emilia Petrescu | D Major | 6 | 10B | 110 BPM | ||
| Sighing Softly to the River | The Pirates Of Penzance | F Major | 2 | 7B | 125 BPM | ||
| The Mikado: There Is the Beauty In the Bellow of the Blast | Eric Idle, Felicity Palmer | E♭ Major | 2 | 5B | 109 BPM | ||
| No. 5, Ev'ry Time I Feel the Spirit | John Rutter, Melanie Marshall, The Cambridge Singers, BBC Concert Orchestra | E Major | 0 | 12B | 117 BPM | ||
| Parry: I Was Glad | Hubert Parry, Choir of King's College, Cambridge, Cambridge University Musical Society Chorus, Royal Military School Of Music Band, New Philharmonia Orchestra, Philip Ledger | B♭ Major | 3 | 6B | 68 BPM | ||
| Norton: Chu Chin Chow, Act 2: Any Time's Kissing-Time (Alcolom, Ali Baba) | Frederic Norton, Michael Collins, Julie Bryan, Inia Te Wiata, Michael Collins Orchestra | C Major | 2 | 8B | 135 BPM | ||
| The Dream of Gerontius, Op. 38, Part I: No. 5, Be merciful, be gracious' spare him, Lord (Assistants) | Edward Elgar, Edward Gardner, London Philharmonic Orchestra, London Philharmonic Choir, Hallé Choir | D Major | 2 | 10B | 86 BPM |