Bhimsen Joshi, Umakant & Ramakant Gundecha's ' "Rama, Rama, Rama Bhajo" was released on its scheduled release date, 1991. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 9 in Bhaktimala - Rama Volume 1 by Bhimsen Joshi, Umakant & Ramakant Gundecha. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Rama, Rama, Rama Bhajo is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Rama, Rama, Rama Bhajo by Bhimsen Joshi, Umakant & Ramakant Gundecha is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kajri - Ghir Ke Aayee Badariya | Prabha Atre | E♭ Major | 8 | 5B | 144 BPM | ||
| Ghana Din So Liyo | Prahlad Singh Tipaniya, Devnarayan Saroliya, Ajay Tipaniya | F♯ Major | 6 | 2B | 138 BPM | ||
| Shankara Shiva Shankara | Sri Sathya Sai Bhajans | A♭ Major | 8 | 4B | 93 BPM | ||
| Gaiye Ganapati Jag Vandan | Ahmed Hussain, Mohammed Hussain | E Minor | 2 | 9A | 108 BPM | ||
| Bhatiyar | Shruti Sadolikar | A♭ Major | 3 | 4B | 191 BPM | ||
| Bhaye Pragat Kripala Ram Stuti | Prem Prakash Dubey | A♭ Major | 4 | 4B | 84 BPM | ||
| Bhor Bhai - Gurjri Todi | Bade Ghulam Ali Khan | E♭ Major | 7 | 5B | 119 BPM | ||
| Saraswati Sholka - Saraswati Dwadash Naa | Rekha Bhardwaj | B♭ Major | 4 | 6B | 118 BPM | ||
| Mero To Aadhar | Falguni Pathak | C Major | 3 | 8B | 144 BPM | ||
| Na Main Dhan Chahun | Geeta Dutt, Sudha Malhotra, S. D. Burman | B♭ Major | 4 | 6B | 93 BPM | ||
| Mera Jeewan Sara Beete | Madan Gopal | D♭ Major | 4 | 3B | 103 BPM | ||
| Ek Khalish Ko Hasil - Ghazal in a Rare Raga | Mehdi Hassan, Kamran Hasan, Sultan Khan, Ghulam Hassan Shaggan | F♯ Major | 2 | 2B | 133 BPM | ||
| Das Raghunath Ka Nandsut Ka Sakha | Pujya Shri Indresh Ji | Indresh Ji Bhajan | Jai Shree Ram | Pujya Shri Indresh Ji Maharaj | A Minor | 10 | 8A | 95 BPM | ||
| Purification (Hare Krishna) | Niranjana Swami | E♭ Major | 9 | 5B | 138 BPM | ||
| Ma Bap Ne Bhulso Nahi | Sachin Limaye, Ashita Limaye | C Major | 2 | 8B | 60 BPM | ||
| Parvati Pati Har Har Shambhu (Shivashtakam) | BHAKTI SAROVAR | D♭ Major | 0 | 3B | 98 BPM | ||
| Shiva Tandava Stotram | Rajan & Sajan Mishra & Shruti Sadolikar | F♯ Major | 3 | 2B | 133 BPM | ||
| Nirbhai Nirgun | Vedanth Bharadwaj, Bindhumalini | D Major | 4 | 10B | 108 BPM | ||
| Achutam Keshavam | Vikram Hazra | D Major | 5 | 10B | 93 BPM | ||
| Santoor | Shivkumar Sharma | B Minor | 3 | 10A | 136 BPM | ||
| Shani Aarti | Chand Kumar | A Minor | 6 | 8A | 110 BPM | ||
| Jaya Jaya Krishna Krishna Hare | Sahil Jagtiani | C Major | 8 | 8B | 126 BPM | ||
| Param Pavitram - With Commentary | Sudhir Dalvi | A♭ Minor | 2 | 1A | 99 BPM | ||
| Mere Chhail Chhabile Romeo | Sm. Kaushalya, Rami, Romeo | A Minor | 4 | 8A | 129 BPM | ||
| Ma Kali Stuti (Raga Bhoop Kalyan), Vinay Patrika | Pandit Chhannulal Mishra | B♭ Minor | 5 | 3A | 128 BPM |