Uday Sotang, Manila Sotang's ' "Maya Aafai Baschha" was released on its scheduled release date, November 18, 2010. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Various Artists's "Jeevan Ko Aanubhuti" album is number 4 out of 9. On top of that, Norway appears to be the country where this track was created. Maya Aafai Baschha is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Maya Aafai Baschha by Uday Sotang, Manila Sotang to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pareli Ma Aai | Kavita Krishnamurthy | G Major | 6 | 9B | 86 BPM | ||
| Harek Palma | Shambhu Kunwar, Ramji Khand, Muna Thapa Magar | C Major | 7 | 8B | 145 BPM | ||
| Ki Karane Balo Thakur | Mahesh Ranjan Shome | A♭ Major | 7 | 4B | 91 BPM | ||
| Agoon Lagiya Dilo Kuney, Hason Rajar Mone | Selim Chowdhury | D♭ Major | 5 | 3B | 173 BPM | ||
| Soche Jasto Hunnna | Sadhana Sargam | A Minor | 8 | 8A | 93 BPM | ||
| Roop Ki Rani | Ram Chandra Kafle | G Major | 6 | 9B | 139 BPM | ||
| He Krishna He Basudev | Sapana Shree | A Minor | 6 | 8A | 145 BPM | ||
| Aakhako Yo Nani Bhitra | Suresh Wagle, Udaya Sotang, Manila Sotang, Kiran Shrestha | F Minor | 5 | 4A | 150 BPM | ||
| Jibon Moru (Pole Pole Ure Mon) | Parineeta Borthakur | F♯ Major | 6 | 2B | 144 BPM | ||
| Sabai Jitharu | Prakash Raj Gurung, Uday Sotang | F Major | 6 | 7B | 131 BPM | ||
| Salbai Horbai (Female) | Sourabhee Debbarma | D Major | 7 | 10B | 80 BPM | ||
| Mangala Roopa | B. R. Chaya | B♭ Major | 6 | 6B | 137 BPM | ||
| Kodatara Nanna Kodatara | Basavaraj Narendra, Anuradha Bhat | A♭ Minor | 8 | 1A | 96 BPM | ||
| Kati Linchhau | Bhakta Raj Acharya | C Major | 6 | 8B | 150 BPM | ||
| Baatash Ko Raahar | Uday Sotang | E Major | 6 | 12B | 99 BPM | ||
| Him Nadi Jhai Yo Maya (From "Aafno Manchhe") | Udit Narayan, Shambhujeet Baskota | B♭ Major | 9 | 6B | 90 BPM | ||
| Heu Paryo Phururu | Roj Moktan | C Major | 7 | 8B | 86 BPM | ||
| Sandyaga Hindinda | H. B. Fareet, Nandita | A Major | 3 | 11B | 120 BPM | ||
| Aaye Ma Ta - Duet | Nabaraj Thapa, Rajkumar Bagar, Sangeeta Rana Pradhan | A Major | 7 | 11B | 104 BPM | ||
| Baisalu Manle Rojeko (From "Darpan Chhaya") | Udit Narayan, Sadhana Sargam, Ranjeet Gajmer | C Major | 8 | 8B | 109 BPM | ||
| Teisa Made Malaino | Biswanath Debbarma, Sourabhee Debbarma | E♭ Major | 4 | 5B | 150 BPM | ||
| Aadha Maya Timilai | Udaya Sotang, Manila Sotang | A Major | 4 | 11B | 150 BPM | ||
| Maha Wassak Bimata Hela | Sunil Dayananda Konara, Sunil Edirisinghe | D Minor | 4 | 7A | 130 BPM | ||
| Bittu Bande Nee | Ju.Shivarajkumar, Mangala | G Major | 7 | 9B | 80 BPM | ||
| Xuwornor Aaxoney | Papon | D♭ Minor | 4 | 12A | 130 BPM |