"DESOLATE EARTH: THE END IS HERE - LIVE RECORDING FROM THE OBSERVATORY, TAMPA, FL, 2020" by Underoath had its release date on November 6, 2020. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Underoath's "LOST IN THE SOUND OF SEPARATION LIVE RECORDING" album is number 11 out of 11. On top of that, United Kingdom appears to be the country where this track was created. DESOLATE EARTH: THE END IS HERE - LIVE RECORDING FROM THE OBSERVATORY, TAMPA, FL, 2020 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of DESOLATE EARTH: THE END IS HERE - LIVE RECORDING FROM THE OBSERVATORY, TAMPA, FL, 2020 by Underoath to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Prom Queen Has No Friends | Broadway | F♯ Minor | 9 | 11A | 171 BPM | ||
| Sailing Alone | Of Machines | C Major | 7 | 8B | 165 BPM | ||
| Post Script | Finch | D♭ Major | 8 | 3B | 100 BPM | ||
| Letters To You | Finch | D♭ Major | 8 | 3B | 118 BPM | ||
| Don’t Jump The Shark Before You Save The Whale | Broadway, Jonny Craig (of Emarosa) | E Minor | 10 | 9A | 170 BPM | ||
| Death To Traitors | Beloved | F Major | 9 | 7B | 117 BPM | ||
| When I Go Out, I Want To Go Out On A Chariot Of Fire | Escape the Fate | F Major | 9 | 7B | 200 BPM | ||
| The Actress | Secret & Whisper | G Major | 8 | 9B | 153 BPM | ||
| Incomplete Is A Leech | As Cities Burn | A Minor | 9 | 8A | 117 BPM | ||
| Pioneers | From Autumn To Ashes | E♭ Major | 9 | 5B | 90 BPM | ||
| Planning a Prison Break | The Receiving End Of Sirens | A♭ Major | 9 | 4B | 91 BPM | ||
| Unrequited Love | Chasing Victory | A♭ Major | 10 | 4B | 165 BPM | ||
| Returning Empty Handed | Underoath | G Major | 10 | 9B | 93 BPM | ||
| The Sadness Will Never End (feat. Sam Carter) | Bring Me The Horizon, Sam Carter | A♭ Major | 8 | 4B | 102 BPM | ||
| Lost Symphonies | Saosin | D Minor | 10 | 7A | 180 BPM | ||
| Rattlesnake! | A Static Lullaby | D Major | 10 | 10B | 100 BPM | ||
| Things Too Visible To See | Of Machines | D Minor | 9 | 7A | 170 BPM | ||
| Alive out of Habit | From Autumn To Ashes | D♭ Major | 10 | 3B | 100 BPM | ||
| Churches And Serial Killers | Emery | F Minor | 9 | 4A | 128 BPM | ||
| Pens And Needles | Hawthorne Heights | D♭ Minor | 10 | 12A | 161 BPM | ||
| As If Everything Was Held In Place | Of Machines | A Minor | 9 | 8A | 130 BPM | ||
| The Impact Of Reason | Underoath | G Major | 10 | 9B | 173 BPM | ||
| Hey, It's Your Funeral Mama | Alexisonfire | A♭ Major | 9 | 4B | 112 BPM | ||
| The Year Summer Ended in June | Misery Signals | A♭ Major | 10 | 4B | 197 BPM | ||
| According to Columbus | A Skylit Drive | B♭ Major | 9 | 6B | 145 BPM |