Manuel Ponce, Héctor Rojas's 'Mazurka de salón en fa mayor' had a release date set for 1998. The duration of This song is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Mazurka de salón en fa mayor's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Hector Rojas's "Manuel M. Ponce Obra Completa para Piano" album is number 2 out of 186. On top of that, Mexico appears to be the country where this track was created. Based on our statistics, Mazurka de salón en fa mayor's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Mazurka de salón en fa mayor by Manuel Ponce, Héctor Rojas to be Allegro (fast, quick, and bright) because the track has a tempo of 155 BPM, a half-time of 78BPM, and a double-time of 310 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Scherzino Mexicano | Adam Holzman, Manuel Ponce | D Major | 1 | 10B | 126 BPM | ||
| Le carnaval des animaux, R. 125: Le cygne | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | C Major | 0 | 8B | 83 BPM | ||
| Concierto de Aranjuez: II. Adagio | Joaquín Rodrigo, Raphaël Feuillâtre, Verbier Festival Chamber Orchestra, Gábor Takács-Nagy, Verbier Festival Orchestra | B Minor | 1 | 10A | 116 BPM | ||
| Nouvelles suites de pièces de clavecin, Suite in G Major, RCT 6: VI. Les sauvages (Arr. M. Grizard for Guitar) | Jean-Philippe Rameau, Raphaël Feuillâtre | G Minor | 1 | 6A | 98 BPM | ||
| Etude En La Major Op. 60 No. 3 | Miko Régis, Matteo Carcassi | A Major | 5 | 11B | 135 BPM | ||
| Les Indes galantes, RCT 44: Musette (Arr. for Piano by Ignaz Friedman) | Jean-Philippe Rameau, Joseph Banowetz | G Major | 0 | 9B | 152 BPM | ||
| Romance de los pinos | Federico Moreno Torroba, Andrés Segovia | A Major | 0 | 11B | 83 BPM | ||
| Preludio BWV 1007 | J. S. Bach, Anabel Montesinos | D Major | 1 | 10B | 145 BPM | ||
| Cello Sonata: I. Allegro selvaggio | Manuel Ponce, Carlos Prieto, Edison Quintana | E♭ Major | 0 | 5B | 74 BPM | ||
| Bolero in A Minor | Julian Arcas, Andrea González Caballero | A Minor | 0 | 8A | 83 BPM | ||
| Schwanengesang, D. 957: No. 4, Ständchen (Arr. for Mandolin & Harp by Alon Sariel) | Franz Schubert, Alon Sariel, Anne-Sophie Bertrand | D Major | 1 | 10B | 73 BPM | ||
| 24 Préludes, Op. 28: No. 6 in B Minor (Arr. M. Llobet Soles for Guitar) | Frédéric Chopin, Stefano Grondona | E Minor | 1 | 9A | 83 BPM | ||
| Pasaje aragueno | Antonio Lauro, Victor Villadangos | A Minor | 1 | 8A | 108 BPM | ||
| Schwanengesang, D. 957: No. 1. Liebesbotschaft (Love's Messenger) (arr. J. K. Mertz) | Franz Schubert, Johann Kaspar Mertz, Gerald Garcia | G Major | 1 | 9B | 99 BPM | ||
| Schwanengesang, D. 957: No. 4. Standchen (Leise flehen meine Lieder) (arr. J. K. Mertz) | Franz Schubert, Johann Kaspar Mertz, Gerald Garcia | A Major | 0 | 11B | 108 BPM | ||
| Danza Española No. 1 | Manuel de Falla, Julian Bream, John Williams | E Minor | 2 | 9A | 98 BPM | ||
| Revoir Paris | Roland Dyens | D Major | 0 | 10B | 99 BPM | ||
| Sonata, Op. 61: III. Allegro Vivo | Joaquín Turina, Shiri Coneh | G Minor | 2 | 6A | 114 BPM | ||
| Danzas Argentinas, Op. 2: II. Danza de la moza donosa | Alberto Ginastera, Lang Lang | A Minor | 0 | 8A | 139 BPM | ||
| Ojos Brujos | Leo Brouwer | A Minor | 2 | 8A | 114 BPM | ||
| Serenata Española | Joaquín Malats, Yuval Te’eni | A Major | 2 | 11B | 129 BPM | ||
| Suite in D major: IV. Gavotte I | Adam Holzman, Manuel Ponce | D Major | 0 | 10B | 73 BPM | ||
| Aranjuez, ma pensée | Joaquín Rodrigo, Piero Bonaguri | D Major | 1 | 10B | 92 BPM | ||
| Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
| 12 Songs for Guitar: No. 6, What a Friend - Arr. for Guitar by T. Takemitsu | Toru Takemitsu, Charles Crozat Converse, Giacomo Palazzesi | G Major | 1 | 9B | 83 BPM |