Philip Hemmo's 'Capricho Árab' had a release date set for April 27, 2010. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 13 in the song's album "Romantic Works for Classical Guitar". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. Capricho Árab is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Capricho Árab by Philip Hemmo having a BPM of 64 with a half-time of 32 BPM and a double-time of 128 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Suite populaire Brésilienne, W020: III. Valsa-chôro | Heitor Villa-Lobos, Mickael Viegas | E Minor | 1 | 9A | 101 BPM | ||
| Romanza | Boccherini Guitar Quartet | E Minor | 1 | 9A | 89 BPM | ||
| Sarabende | Giorgio Zamboni Romano, Ahmet Kanneci | E Major | 0 | 12B | 113 BPM | ||
| Rafaga | Joaquín Turina, Sebastien Llinares | A Major | 3 | 11B | 104 BPM | ||
| Estudio en Forma de Minuetto | Francisco Tárrega, Philip Hemmo | A Major | 1 | 11B | 80 BPM | ||
| Prelude in D Minor, BWV 999 | Julian Bream | A Minor | 2 | 8A | 88 BPM | ||
| Gnossienne | Fernanda Valenzuela | E Minor | 0 | 9A | 96 BPM | ||
| Kurpie Etude | Fernanda Valenzuela | E Minor | 2 | 9A | 153 BPM | ||
| Malagueña | Giulio Tampalini, Juan Lorenzo | C Major | 2 | 8B | 99 BPM | ||
| Paganini Caprice no. 5 | Neil Black | B♭ Minor | 5 | 3A | 84 BPM | ||
| Hommage a Tarrega: II. Soleares | Joaquin Turina, Arash Ahmadi | D Major | 2 | 10B | 91 BPM | ||
| Manhã De Carnaval | Caterina Valente, Luis Bonfá | D Minor | 1 | 7A | 105 BPM | ||
| Albéniz: Suite Española No.1, Op. 47, Asturias | Ana Vidović | C Major | 2 | 8B | 124 BPM | ||
| Junto al Generalife | Joaquín Rodrigo, Michael Ibsen | D Major | 2 | 10B | 100 BPM | ||
| Dance from La Vida Breve | John Williams | D Minor | 2 | 7A | 107 BPM | ||
| Un dia de Noviembre | Leo Brouwer, Flavio Cucchi | D Major | 1 | 10B | 125 BPM | ||
| Canciones Castellanas | Regino Sáinz de la Maza, Franz Halász | A Minor | 2 | 8A | 95 BPM | ||
| Castillos de Espana II: Torija (Elegia) | Federico Moreno Torroba, Pablo Sainz Villegas | D Major | 0 | 10B | 100 BPM | ||
| Canarios | Gaspar Sanz, Simon Dinnigan | D Major | 1 | 10B | 96 BPM | ||
| Angostura | Antonio Lauro, Adam Holzman | G Major | 2 | 9B | 97 BPM | ||
| Junto Al Generalife | Philip Hemmo | E Minor | 1 | 9A | 79 BPM | ||
| Agua e vinho | Sergio & Odair Assad | G Minor | 0 | 6A | 92 BPM | ||
| Recuerdos de la Alhambra : Recuerdos de la Alhambra | Norbert Kraft | A Major | 1 | 11B | 75 BPM | ||
| Nocturne No. 2, Op. 9 | Alí Arango, Frédéric Chopin | B♭ Major | 0 | 6B | 124 BPM | ||
| Revoir Paris | Roland Dyens | D Major | 0 | 10B | 99 BPM |